You may not think of writers as being inventors, but really, that's exactly what we are. Sometimes we're just inventing a simple story, other times an entire universe. Even though it's all in our heads (or on paper, once it's written), there's a lot of work that goes into it.
If you read a fantasy or a sci-fi novel, you can understand how much work went into inventing the world of that story. I used to write fantasy (and probably will again) and I feel like I only scratched the surface on developing the world in which my characters lived. You can have fantasy elements in the real world, or you can completely create your own universe. Either way, there is a lot of work involved. While fantasy gives you a bit more room to do what you want, it still has to make sense. Once you create the world, you have to stick to the rules of that world, or the reader is going to notice. If you're writing a vampire story, and suddenly you feel the need for a dragon to show up, you'd better sure that all of these creatures can exist within the same universe. Nothing can be random and there has to be a reason for every choice you make in the story.
If you're writing any genre of realistic fiction, it's less about the world the characters live in and more about the story itself. You have to be sure any interaction with the outside world makes sense, like researching your setting, making sure the way your characters talk is actually realistic. If your characters go to a real place, then you're not going to be able to fool anyone who's actually been there. As for the story itself, it has to make sense, too. You want to make sure the characters act in a way that's realistic. You're not inventing a a whole universe, but the tiny little world that your characters live in. A lot of stories are character driven, and in this case, your characters are going to be your most important inventions.
I think most writers understand that when they get the first spark of a story idea, there's going to be a lot of work involved with getting that story written. You have to invent characters, situations, and sometimes, an entire world. Of course, it's not all work. It can be a lot of fun, too. :)
10 April 2014
09 April 2014
H is for HELL NO
Sorry, everyone, but this post is a total cop out. I have strep throat. I'm going to spend the day in bed with some Popsicles, Gatorade, and penicillin.
If you didn't check out my post from yesterday, you totally should! You could win a $25 Amazon Gift Card or a Moleskine notebook and disposable fountain pen, all just for following my blog!
Hopefully I'll be back with a real post tomorrow. Or I could stand for "Infection..."
If you didn't check out my post from yesterday, you totally should! You could win a $25 Amazon Gift Card or a Moleskine notebook and disposable fountain pen, all just for following my blog!
Hopefully I'll be back with a real post tomorrow. Or I could stand for "Infection..."
08 April 2014
G is for Giveaway!
I'm so excited about today's post, because I'm doing my very first giveaway!!
I was at 79 blog followers when the A to Z Challenge began. I noticed how quickly that number started to rise, and realized that I was very close to reaching 100 followers, and probably would before the challenge ends. So what better way to celebrate than to thank you guys for following? A giveaway!!!
I've got two prizes, first a $25 Amazon Gift Card. Second is a Moleskine notebook and a Varsity disposable fountain pen (faux fountain pen...get it?!). Just like mine (the picture below is of mine, you'll get brand spanking new ones). Basically all you have to do is follow my blog! If you're stopping in for the first time or you've been following me forever, you can enter. You can get bonus entries by leaving a comment on this post, following me on Twitter, tweeting about the giveaway, and answering a trivia question. It's pretty easy to find, but I have edited my "About Me" section so that it's not TOO easy for you ;)
The giveaway will run until midnight next Monday and I'll announce the winners on April 16. Good luck!
a Rafflecopter giveaway
I was at 79 blog followers when the A to Z Challenge began. I noticed how quickly that number started to rise, and realized that I was very close to reaching 100 followers, and probably would before the challenge ends. So what better way to celebrate than to thank you guys for following? A giveaway!!!
I've got two prizes, first a $25 Amazon Gift Card. Second is a Moleskine notebook and a Varsity disposable fountain pen (faux fountain pen...get it?!). Just like mine (the picture below is of mine, you'll get brand spanking new ones). Basically all you have to do is follow my blog! If you're stopping in for the first time or you've been following me forever, you can enter. You can get bonus entries by leaving a comment on this post, following me on Twitter, tweeting about the giveaway, and answering a trivia question. It's pretty easy to find, but I have edited my "About Me" section so that it's not TOO easy for you ;)
The giveaway will run until midnight next Monday and I'll announce the winners on April 16. Good luck!
a Rafflecopter giveaway
07 April 2014
F is for Foster (Or, Maiden Names & Pen Names)
Most of my coworkers call me by my last name, Foster. Actually, my boss will scream it at me whenever he sees me. On the rare occasions when he's called me by my first name (like, literally once or twice), I had to point it out--"You just called me Sarah." "What?! I did?" Despite all this, I never really thought about my last name being part of my identity, that is, until I got engaged. Now, I get asked all the time, "What's your new last name gonna be???"
Well, here's the thing. I'm not entirely sure if I'm going to change it. And it has nothing to do with some sort of feminist viewpoint or anything. Part of me just doesn't find it necessary. I've spent 26 years with this name, why change it now? I don't think taking my husband's last name would create a stronger connection with him. It feels more like changing a part of my identity just because people expect me to.
Honestly, though, part of my decision has to do with my writing. Now, obviously I haven't published anything yet, but I also haven't done any wedding planning yet either. And I always thought that if I published anything before I got married, I wouldn't change my last name. Of course, this isn't going to be the only deciding factor, but if it does happen, it could be a big one.
Which leads me to pen names. If I really wanted to, I could publish my book under any name I choose, or any variation on my own name. For a long time, I thought I'd include my middle initial, but I think I've moved past that desire. And replaced it with slightly rational fear. At least, I think it's rational. See, sometimes I worry that if the first book I publish is gay fiction, then my publisher is going to make me change my name, maybe make me use initials to hide my identity as a woman. Which I absolutely can't stand. I know I'm probably way over-thinking things, as well as getting way ahead of myself (how about I finish writing the book first, right?). But it's not like I never thought about it.
Considering the fact that writing involves pretending to be someone else a lot, I really just want to be myself. I don't want to have to hide behind my book or my husband's last name. I want to do things my way. And an identity is something that only I can create.
Well, here's the thing. I'm not entirely sure if I'm going to change it. And it has nothing to do with some sort of feminist viewpoint or anything. Part of me just doesn't find it necessary. I've spent 26 years with this name, why change it now? I don't think taking my husband's last name would create a stronger connection with him. It feels more like changing a part of my identity just because people expect me to.
Honestly, though, part of my decision has to do with my writing. Now, obviously I haven't published anything yet, but I also haven't done any wedding planning yet either. And I always thought that if I published anything before I got married, I wouldn't change my last name. Of course, this isn't going to be the only deciding factor, but if it does happen, it could be a big one.
Which leads me to pen names. If I really wanted to, I could publish my book under any name I choose, or any variation on my own name. For a long time, I thought I'd include my middle initial, but I think I've moved past that desire. And replaced it with slightly rational fear. At least, I think it's rational. See, sometimes I worry that if the first book I publish is gay fiction, then my publisher is going to make me change my name, maybe make me use initials to hide my identity as a woman. Which I absolutely can't stand. I know I'm probably way over-thinking things, as well as getting way ahead of myself (how about I finish writing the book first, right?). But it's not like I never thought about it.
Considering the fact that writing involves pretending to be someone else a lot, I really just want to be myself. I don't want to have to hide behind my book or my husband's last name. I want to do things my way. And an identity is something that only I can create.
05 April 2014
E is for Editing
E is for Editing. Because that's what I'm doing. Or trying to do. Because I'm really tired. I worked all day. I have to work tomorrow. I have to get up at 6. I might just go to bed right now. Or if I'm lucky I'll get through one scene. I'm not sure my brain is working properly, though. I mean, I can't even write a good blog post. Is anybody else really glad to not have to blog tomorrow?
Oh, by the way, I have no idea what my F post will be yet, but my G post is going to be pretty awesome. You should come back and see it. Just sayin'.
Oh, by the way, I have no idea what my F post will be yet, but my G post is going to be pretty awesome. You should come back and see it. Just sayin'.
04 April 2014
D is for Danger
When you're writing a book, you want to keep the tension as high as you possibly can. You don't want the reader to get bored. This doesn't necessarily mean that every moment needs to be a nail biting, on the edge of your seat sort of scene. There doesn't need to be a disaster on every other page. But the threat of a disaster could keep things interesting.
Since my novel is about the relationship between a 15-year-old and a 28-year-old, obviously there's a lot of danger involved. My characters know that their relationship has to be a complete secret, and that if anyone found out it would be disastrous. That thought process is certainly present in the book, but it's not at the forefront. The lives these characters lead allow them to be isolated without much threat of getting caught. Honestly, having my characters get caught has never been an option. It’s the obvious route to take. And I don’t want my book to end up like an episode of Law & Order. It's just not the story that I'm trying to tell. But that doesn’t mean that there won’t be the occasional brush with danger.
There are times when the danger is going to be more obvious. When the killer is inside the house. When there's a high speed car chase. Or in my book, when Jordan's mother comes home unexpectedly. Those are the easy times to maintain tension. The reader is already going to be nervous, hoping everything turns out ok for your characters. It's when you have moments between these sort of crucial scenes where tension can be a bit tricky.
I had a good learning experience when I wrote the first draft of my novel. There's one particular scene about halfway through the book where Jordan is sitting at the lunch table at school with his friends, secretly texting with Tom about their upcoming weekend together. Really, I hadn't thought the scene through beyond their conversation, and the fact that I need to occasionally throw in scenes with Jordan's friends to move the subplot. So it was his friend Brian who chimed in, asking who Jordan was texting. At first, I wrote the next line as:
"Your mother," I said quickly, shoving the phone back into my pocket.
Since my novel is about the relationship between a 15-year-old and a 28-year-old, obviously there's a lot of danger involved. My characters know that their relationship has to be a complete secret, and that if anyone found out it would be disastrous. That thought process is certainly present in the book, but it's not at the forefront. The lives these characters lead allow them to be isolated without much threat of getting caught. Honestly, having my characters get caught has never been an option. It’s the obvious route to take. And I don’t want my book to end up like an episode of Law & Order. It's just not the story that I'm trying to tell. But that doesn’t mean that there won’t be the occasional brush with danger.
There are times when the danger is going to be more obvious. When the killer is inside the house. When there's a high speed car chase. Or in my book, when Jordan's mother comes home unexpectedly. Those are the easy times to maintain tension. The reader is already going to be nervous, hoping everything turns out ok for your characters. It's when you have moments between these sort of crucial scenes where tension can be a bit tricky.
I had a good learning experience when I wrote the first draft of my novel. There's one particular scene about halfway through the book where Jordan is sitting at the lunch table at school with his friends, secretly texting with Tom about their upcoming weekend together. Really, I hadn't thought the scene through beyond their conversation, and the fact that I need to occasionally throw in scenes with Jordan's friends to move the subplot. So it was his friend Brian who chimed in, asking who Jordan was texting. At first, I wrote the next line as:
"Your mother," I said quickly, shoving the phone back into my pocket.
I realized the problem immediately. With the phone
in his pocket, the evidence disappears. Where does the scene go from here? Just
boring lunchtime banter. I had to think about how this scene was going to work as a whole. Why have the texting conversation while Jordan is at lunch? It could have just as easily happened when he got home from school. The conversation and the setting had to compliment each other. So there had to be some sort of reaction. I rewrote the line as:
"Your mother," I said quickly, placing my phone down on the table in front of me.
It was such a subtle change but it did so much for the scene. Now the phone is out in the open, and Brian is able to grab it and look at it before Jordan can stop him. Instead of being a boring, useless scene, now there's a hint of danger. Jordan has to get his phone back before Brian sees too much and come up with an explanation for what he does see. The whole scenario gets him thinking how he needs to be more careful, how maybe maintaining a secret relationship isn't as easy as he thought.
Without the danger, this scene would have been really boring. It might have been cut entirely when I wrote the second draft. But because of one tiny little change, there is tension and suspense, even if just for a moment. Danger doesn't always have to be life or death. Sometimes it can be subtle, moving the plot from one scene to another. Even if it's overcome quickly, hopefully the readers will still have that one moment when they're holding their breath.
03 April 2014
C is for Cupcake
In the past few years, I've created a Valentine's Day tradition that will probably last the rest of my life. And it's all my book's fault.
Food plays a huge role in my book. In the first chapter, Jordan shows a certain level of disdain for everything he's forced to eat, that is, until Tom walks into his life holding a key lime pie. Part of the relationship my characters create revolves around food, and there are plenty of scenes with food descriptions. The idea of hunger has a more symbolic use, besides just being actually hungry for food, but hungry for the things you desire and life in general. But that sort of hunger can be revealing, and that's exactly what Jordan is afraid of.
So there's a cupcake scene. It's in the third chapter and it's probably one of my favorite scenes in the whole book. I do have a lot of fun writing in depth food descriptions, which this scene obviously has. But it's also a very revealing scene. There's an unspoken attraction between my characters and even though they can't acknowledge it, they're both very much aware that it exists. The tension gets to be so much that actually eating this cupcake is almost a sexual experience.
But anyway, onto the actual cupcake! I've made them twice, because why not? I honestly don't remember how I came up with the idea for this scene, or even the flavor of the cupcake. But since in the book, Tom makes these cupcakes for Valentine's Day, I've started making them, too. This year I brought them to work and they were a big hit. The cake is vanilla with just a hint of lemon, with raspberry filling and raspberry buttercream. I'm honestly not that great of a baker, but they get better each time I make them. Someday they'll be perfect.
And, no, I did not create the recipes myself. My fictional characters can be that good, but not me. So since I should give credit where credit's due, and because you totally want to make them, check out the recipes for the Vanilla Cupcakes, Raspberry Filling, and Raspberry Buttercream.
Food plays a huge role in my book. In the first chapter, Jordan shows a certain level of disdain for everything he's forced to eat, that is, until Tom walks into his life holding a key lime pie. Part of the relationship my characters create revolves around food, and there are plenty of scenes with food descriptions. The idea of hunger has a more symbolic use, besides just being actually hungry for food, but hungry for the things you desire and life in general. But that sort of hunger can be revealing, and that's exactly what Jordan is afraid of.
So there's a cupcake scene. It's in the third chapter and it's probably one of my favorite scenes in the whole book. I do have a lot of fun writing in depth food descriptions, which this scene obviously has. But it's also a very revealing scene. There's an unspoken attraction between my characters and even though they can't acknowledge it, they're both very much aware that it exists. The tension gets to be so much that actually eating this cupcake is almost a sexual experience.
But anyway, onto the actual cupcake! I've made them twice, because why not? I honestly don't remember how I came up with the idea for this scene, or even the flavor of the cupcake. But since in the book, Tom makes these cupcakes for Valentine's Day, I've started making them, too. This year I brought them to work and they were a big hit. The cake is vanilla with just a hint of lemon, with raspberry filling and raspberry buttercream. I'm honestly not that great of a baker, but they get better each time I make them. Someday they'll be perfect.
And, no, I did not create the recipes myself. My fictional characters can be that good, but not me. So since I should give credit where credit's due, and because you totally want to make them, check out the recipes for the Vanilla Cupcakes, Raspberry Filling, and Raspberry Buttercream.
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