Embrace the Weird

Before I get to the actual post, I'd just like to thank everyone for their well wishes last week on my job hunt. I have good news! I got the full time job that I applied for!!! I have orientation next Monday and then start the next day. It's the 11-7:30 shift that I talked about, and I get every other weekend off, so I don't think this will cut into my blogging time. I think I will be taking next week off blogging, though, just to get situated (and work through all of the anxiety...). I'll probably still post this Wednesday (or Friday...or both...) but if not I will be back on the 23rd!

But anyway, onto writing stuff!

I recently had an idea for a scene, and I thought it was a little weird. Ok, technically, it was just part of a scene--the very end, actually, and it was in Book 3. I know, I'm getting way ahead of myself but I just can't help it. But I figure by the time I get around to actually writing the book, I'll probably have it completely figured out and that will make it easier to write.

About this weird moment--well, I don't think I should share the details because it's a bit inappropriate. Let's just say it involves a character texting a family member while...something else is going on. Hopefully you get it. If not, it doesn't really matter. What matters is that my first response to this idea was, "It's too weird! No one would actually do that!" But at the same time, it kind of felt right for the character. It was weirdly bizarre, but in a fascinating and entertaining sort of way.

So what do I do with this scene? Forget it or just go with it?

My initial response was just to forget about it. A million different thoughts cross my mind all the time when it comes to these stories, but I don't always use all of them. But the more I thought about it, the more I liked this moment, not in spite of its weirdness but because of it. Sometimes people do weird things, and those things are usually more entertaining than the normal, boring, or everyday moments that are more likely to occur. So if it's weird, but still believable, why not use it?

What really made sense was that the moment felt right for the character. It actually seems like something he would do. There's actually a scene in the first book that has the same kind of weirdness (it involves lemon bars...I won't get into it...), and I really love that scene. It works in the moment. And if something works, then there really isn't any reason to get rid of it.

The thing about weird scenes is that they definitely won't always work. They have to fit the story, the characters, even the particular scene that they're in. Yes, these moments can seem strange, but they also have to be believable. But if your only reason for not using a particularly weird idea is just because it's weird, then maybe you should rethink it. Sometimes your instincts are right, and those weird scenes can turn out to be something great.

Do you ever come up with weird scenes? Do you try to make them work or get rid of them?

Write Anything

I'm sure a lot of writers have a specific process for working on a story. Maybe they outline before they start writing, or start at the beginning and go straight through to the end. Outlines have never really been my thing, so I've always been more of a pantser than a planner. But I think I take the pantser thing to a whole other level. Because not only do I pretty much never outline, but I don't write things in order, either.

I can honestly say the only thing I've ever worked on 100% in order from the first chapter to the last was the second draft of Uneven Lines, and that was a half edit/half rewrite. So really I've never written anything from start to finish. Why? I usually work on whichever part is inspiring me the most. Especially with a first draft, there will usually be one or two scenes that I'll keep thinking about over and over again until I actually write them down. Once they're finished, they're usually replaced by something new. It can be any part of the story, so most of the time I write out of order, but with a general idea of how things will eventually tie together.

Sometimes this strategy works, and other times it doesn't. Maybe that's why when I'm not feeling particularly inspired by anything, I don't work on anything. And not writing just seems to lead to even less inspiration, so it becomes a vicious cycle. So what do you do when you rely on that inspiration and it just isn't happening?

There are a few options. You could force yourself to work on a specific part. Maybe something you think will be easy, or just the next part of the story. Or you can just wait it out and hope for any spark of inspiration. I try to pay extra close attention to that voice of inspiration. There usually isn't a day that goes by where I'm not thinking about some aspect of my story, whether it's my main project, one of its sequels, or even just some random bit of background info on a character. I'm trying to get into the mindset of just going with the flow. No matter what part I'm thinking of, start writing.

Lately, for instance, a few scenes from Book 3 have been on my mind. When I was trying to fall asleep last night, some actual words started to pop into my head (and they weren't terrible!). So why fight it? Just because I really should be working on the first book instead? At this point I'd be thrilled to write anything, especially if it's within the universe of the story I should be working on. It would still be better than nothing.

So instead of just thinking about these other ideas, or just jotting down a note here or there, why not write a whole scene? Maybe even a whole chapter? Sure, it may be a distraction from focusing on the first book, but if I'm not actually working on it, why not take advantage of the inspiration? I've let it slip away way too many times to just not write anything. I think it would be better to write something unnecessary than to not write anything at all.

Do you write things in order? What do you do when a different project is distracting you from your main one?

Where We Want to Be

Everybody has goals, whether they're writing related or not. Some may be easier to achieve than others. When it comes to writing goals, you probably have big ones--like become a bestselling author, or writing x many books--and some smaller, more short term ones--like get to a certain word count or finish the next chapter. Even the smallest goal can be daunting if it isn't coming easily to you. So how do we know we're on the right path? How do we get where we want to be?

If you're constantly changing your goals or adding new ones, you may never be 100% done, which is a good thing. If we were completely done with our writing, well, we wouldn't be writers anymore. As long as you have new goals or ideas, you'll never really stop. But at the same time, you do actually want to achieve your goals. We all want to finish the book we're working on and get it published, then maybe we'll write a sequel or start a whole new idea. The possibilities for new goals are endless, but the first step is to finish the goals you've already made.

Figuring out how to achieve these goals can be tricky. I know for me, just trying to edit my novel is difficult right now. For some it may be getting the first draft done, others figuring out how to get published. We each have our own separate goals to work on, and they can be as diverse as the story ideas themselves. It helps to focus on one goal at a time. Yes, you may have those big, long term goals, but those are hard and take time to achieve. If you focus on one small goal at a time, you may find it a bit easier.

Or you can have different stages of goals. For instance, my main goal is to get the third draft of my novel done. It's not a huge goal, but it isn't small, either. My first smaller goal is to finish editing the first chapter. Once that's done, the next goal will be the second chapter, then the third, and so on. Some of these goals will take more time than others, depending on how much editing actually needs to be done. But for me, I think going chapter by chapter will most likely be the best way to go.

Getting to where we want to be can be a long, difficult process. It helps to have that big picture goal in mind, but to not focus too much on it. Focus on the smaller goals that are right in front of you. If you take things one step at a time, the journey may not seem so long.

Cutting and Consolidating

A lot of the editing process involves figuring out what parts of your story are actually necessary. When you're writing the first draft, it's great to just let the ideas flow and not hold yourself back from getting them out. Once you're at the editing stage, however, that's when you really need to start analyzing the story and realizing which parts need to go. This could be as small as cutting individual words or as big as whole scenes and chapters.

Every cut won't seem obvious right away. The line by line edits may be easier to deal with first. You'll know if a particular word or phrase feels awkward or just doesn't work. You may need to rewrite a sentence, or you may realize you don't need that sentence at all. Figuring out the best way to get the story across without using a lot of unnecessary or unfitting words will help to polish the overall story and make it better.

Cutting scenes and chapters won't be as easy. You may spend a lot of time trying to rewrite a scene that isn't working to finally realize you don't actually need it. The scene doesn't even need to be bad for it to be cut sometimes, either. You may have written a great scene, but as you develop your story more and more, you may realize it just doesn't fit anymore. Deciding to cut a large chunk of story can be an emotional process. You may try to rationalize keeping it, but if it isn't going to work, eventually you'll come to realize it.

Of course, cutting isn't always the only answer. Maybe you have a scene that has some necessary moments or information, but the important parts aren't quite long enough to pull off a whole scene. You may be able to move whatever information is necessary to a different scene or chapter. If you're trying to fill in a whole scene or chapter and most of it is unnecessary, it will probably slow down the story or even make it seem boring. You always want something important to be happening in order to keep the reader interested.

The realization to cut a whole chapter actually took me by surprise. Now that I'm working on the third draft of my novel, I've come to realize that my sixth chapter actually isn't necessary and slows the story down. There is definitely some important information in there, but I know I can move it to the previous chapter and still have everything go smoothly. So making this cut will help speed things up within the story, as well as getting rid of a lot of unnecessary words. Now that I know I have to squeeze in the important stuff into a shorter scene, rather than an entire chapter, I'll really have to think about what words are necessary to get the point across.

Have you ever cut a whole chapter? Or consolidated two parts into one? 

Keeping an Open Editing Mind

Having an epiphany about a piece of writing can be a great thing. You could be struggling to figure something out and then out of nowhere the solution hits you. It could be something you never expected, and it could require a lot of work. But if you keep your mind open and let the ideas come to you, and you put in that hard work, you may just be able to figure it all out.

One of the hardest parts about editing is cutting parts from your previous drafts. When you first write something, it can seem so perfect that you think there's no way you'd ever get rid of it. But as time goes on and you get away from that first draft high, you're able to see things more clearly. If you spend enough time with your story, you'll know what's working and what isn't, what needs to be rewritten and what needs to be cut completely.

I've been with my story for over 4 years now so I pretty much know everything that needs to be fixed. Figuring out how to fix it is another thing entirely. Every solution isn't going to come to you right away. You may need to think about it for hours and hours, going over every possibility until you figure it out. If that doesn't work, you let the idea rest for a while, and if you're lucky the solution will just come to you out of nowhere (for me that means someplace inconvenient like in the shower, or when you're trying to sleep...).

Keeping an open mind is very important when letting the ideas happen. I'm on my third draft now, but I don't think my mind was very open when writing the second draft. I basically just wanted to make the first draft better, but keep everything exactly the same. Sure, I rearranged a few scenes, added some needed background info on a character, but there weren't a lot of major changes, just a lot of rewriting. For some parts, this can work. Maybe just rewriting will fix the problem. But this isn't going to work for an entire draft. Big changes usually need to happen, and if you're not open to them, you'll never be able to come up with those solutions.

I realized yesterday that cutting an entire chapter from the beginning of my book would help out a lot. It was something I'd never considered before. But it was a chapter that I didn't know how to rewrite, and I felt like it slowed the story down a bit. Then I realized any important information from this chapter could be moved to the last scene from the chapter before. It's going to be tricky finding the balance of what information to put where, but once I get it all done and that chapter is gone, I think the story will flow a lot better.

If my mind was still closed off when it comes to editing, I never would have made this realization. If you edit thinking that everything is perfect, or that all of the parts of your story need to be there, you may never be able to actually step back and see what's wrong with it, and what parts aren't even needed.

Do you have trouble keeping an open mind while editing? Ever made any unexpected edits?

You Can Call Me...

**My theme for this year's A to Z Challenge is THE NAME GAME. Everything you'd want to know about naming characters.**

Having a name for your character is probably the most important thing to figure out. That name will be the most common way for the other characters in the story to address him. But another way to address a character is to use a title. Which ones you use will vary from character to character, and could depend on things like their gender, relationships, or profession.

The titles you'll use the most usually go with a character's last name. So if you're planning on using a title, you should probably figure out your character's last name first. You've got the basic four, of course: Mr., Mrs., Miss, and Ms. Mr. will be used for men, obviously, while the ones for women can depend on her marital status or personal preference. There will be plenty of characters and instances where you'll need to use these titles. Most kids will refer to their neighbors or friends' parents using Mr. & Mrs. Most teachers will also go by these titles (through high school, anyway). Basically any time a child has to address an adult, this is probably how he/she will do so.

A character may address an authority figure in the same fashion, such as a boss. These titles will also be used when someone is trying to be formal or professional, perhaps with a client. Using "Sir" or "Madam" is another way to address someone that doesn't actually use his or her name. Maybe your character needs to talk with a customer at their job and rather than forcing a name on the reader, this could be the easiest way to address them.

Plenty of characters will require a title in regards to their profession. If you're writing a mystery, you may have to use Detective or Officer before a character's name. There are religious titles used when addressing members of the clergy, such as Father or Reverend. A college teacher will most likely go by Professor. Doctor can refer to an actual medical doctor or anyone with a Ph.D. You may have had a few professors in college who demanded to be referred to as Doctor (I sure did!).

It all depends on your story how many different titles you'll need. You may have a Mayor, Governor, or President. A person's station in life could determine their title. You could also have a Lord or Lady, or royalty like Princess, King, or Queen. When addressing royalty, you may have to use "your Majesty," or "your Highness," rather than the character's name.

No matter what the situation, using a title will usually have a feeling of formality to it. Make sure the title you're using fits both the character it belongs to, and feels comfortable for the person saying it. Some situations may require titles, whereas others may not.

What sorts of titles pop up in your stories? Is that gif anyone else's favorite Reid moment ever??? (I'm sorry, I could only think of one real question. I need my coffee...)

Character X

**My theme for this year's A to Z Challenge is THE NAME GAME. Everything you'd want to know about naming characters.**

This is really an anti-name post. Most of the time you'll come up with names for your characters, especially the most important ones. But every once in a while, you may write a story where you don't have a name for your main character. Having a minor character or a character who only shows up in one scene with no name isn't really a big deal. The less we see a character, the less we're likely to care about him or what his name is. But not giving your main character a name can be tricky.

A nameless character will probably only work in certain circumstances. You'll want a good reason for doing so. It could be symbolic, maybe having something to do with identity or if the character feels insignificant. If you don't give your main character a name and you don't have a reason, it may come off as strange and unnecessary.

The format of your story will also help with how natural the nameless character feels. It will probably be easier to pull off in a short story because the reader isn't with the character as long and may not even care about knowing his/her name. If you're writing a novel, a first person narrator will probably be the best way to go. Unless another person is addressing him, he will be using "I" instead of his name most of the time, anyway. It may even take the reader a while to notice that you haven't given him a name. You can also use placeholders to refer to your characters: boy, girl, man, woman. Or perhaps their relationship to other characters can be used: father, mother, etc.

It can be a daunting task, but it's definitely been pulled off before. Just a few well-known examples of novels with nameless narrators or characters include Invisible Man by Ralph Ellison, The Road by Cormac McCarthy, Fight Club by Chuck Palahniuk, and Rebecca by Daphne du Maurier. If you've read a book with a nameless character, did it bother you? How long did it take you to notice? Or did you notice it at all? If you want to use a nameless main character, it should feel natural and go along with the story you're writing. If you try to shove it in the reader's face, they may just find it strange.

Have you ever used a nameless main character? Read any other books that do so? 

What Does Your Name Mean?

**My theme for this year’s A to Z Challenge is THE NAME GAME. Everything you’d want to know about naming characters.**

There are plenty of things to consider when choosing a name for your character. You could think about culture and ethnicity, how popular a name is, or just how it sounds. If you want the name you choose to hold a little bit more significance, one thing you can do is find a name with a particular meaning. You can choose a name whose meaning reflects who your character is or even his place within the story.

Name meanings are almost as diverse as the names themselves, so there are many different possibilities for choosing a name’s meaning. You can pick a name that means light, dark, power, strength, hero, warrior, beautiful, friend, or lucky. Some names have meanings related to animals, like wolf, lion, or even dragon. Other name meanings are related to nature, like river, fire, sky, or moon.

The name could reflect a character trait, or the character’s actual role within the story. Maybe the name represents something that your character already possesses, or something that they will achieve over the course of the story. All of your characters could have meaningful names if you wanted them to. Your main character’s name could mean hero, while his sidekick’s name means friend, and the love interest’s name means love. This may be a bit obvious, but it’s just one way to look at how you can utilize a name’s meaning.

Of course, you don’t have to choose a name with a significant meaning, but it kind of goes along with the idea of putting symbolism in your book. You don’t have to do that, either. But if you do, it’s just an added bonus, something the reader may or may not pick up on. Pointing out a name’s meaning will probably feel silly within the story, so the only way a reader will figure it out is by looking it up. Most readers aren’t likely to do so, but those who make the effort will get a very awesome surprise.

Have you ever chosen a character name by meaning? What does your name mean? (Mine is princess!)

Variety in Character Names

**My theme for this year’s A to Z Challenge is THE NAME GAME. Everything you’d want to know about naming characters.**

Chances are your book will have more than one character, and most of those characters will need their own names. Each name should work for each individual character, but you should also think about how all of your characters’ names work together. If you have characters who are constantly interacting, then their names should probably have some variety.

There are plenty of different relationships that could happen between different characters. You could have family, friends, couples, or just acquaintances. The closer two characters are, the more often they will be likely to interact throughout the course of your story. So their names will be on the same page. A lot. And if those names are too similar, it might confuse the reader.

There are plenty of ways to mix up the names in your cast of characters. Just having a variety of names with different syllables could help. A mixture of short and long names would feel realistic. Maybe some characters go by their first name, others have a nickname or prefer their last name to be used. Have a mixture of unique and common names. If every character has a long, extravagant name that no one’s ever heard of, the reader may get annoyed with reading these names. You also probably don’t want to have every character’s name start with the same letter (unless, say, it’s a theme within a family and they are the only characters).

It sounds pretty easy, right? There are, however, plenty of naming techniques to avoid. You wouldn’t want your characters’ names to rhyme, for example. Let’s say your two main characters are Matt and Pat and they own a cat and work in a hat shop. Ok, I kind of took it to the next level there, but it sounds silly, right?

Couples can also be tricky to name. You don’t want their names to be too similar, like Adrian and Adrienne, or even Michael and Michele. Or (and this should probably go without saying), giving them the same unisex name. It may seem cute at first, but the reader could have a hard time keeping track of which character is doing what. Which would make for very interesting sex scenes, but is something that’s just too confusing to pull off.

How do you maintain variety with your characters’ names? How do you come up with names for your couples? 

Unisex Names

**My theme for this year’s A to Z Challenge is THE NAME GAME. Everything you’d want to know about naming characters.**

Most names will only work for one gender. Boys have boy names and girls have girl names. But this isn’t always the case. There are also plenty of names out there that can work for a boy or a girl. These names are called unisex names, since they are not gender specific. While some may be used more often for one gender than the other, it is still possible to use them for both. So why not give your character one?

An expecting parent may choose a unisex name because they really like it and it will work no matter what gender their child is. But as a writer, you already know the gender of your character. So why choose a unisex name? The simple answer is just that you like the name and it fits the character (or the character tells you his name and you have no say in it).

FUN FACT: Unisex names are illegal in Iceland (with exactly one exception). There are preapproved male and female lists made by the Icelandic Naming Committee.

There probably aren’t going to be a lot of situations where your story will require you to pick a unisex name for your character (unless you’re writing something where you don’t want your character’s gender known). Like most other names, it should just be because you like it. The way it sounds or its meaning should just fit your character. Trying to force meaning out of the fact that your character has a unisex name may actually be risky.

The name itself really should have nothing to do with the character’s gender, sexuality, or even just how they behave. For example, giving your girl a unisex name because she’s a tomboy. It’s perfectly fine to give her that name, but probably not to point it out, or to make it seem like your character acts this way because of her name. You may get a few readers rolling their eyes. 

A unisex name can be fun to use, though. Maybe you choose a name that’s usually a boy’s and give it to a girl, and maybe that just adds a bit of quirkiness to her character. Maybe two characters meet for the first time and one is surprised at the gender of the person they meet, having only heard their name. Hilarity ensues. Who knows?

WHAT I’VE DONE: Oh come on, do I even have to say it? Oh, all right, some of you may be new here…I feel like there should be fireworks or something…

*kicks muse* Weren’t you supposed to set up the pyrotechnics??

*snooooooore*

I’m pretty sure he’s faking. Anyhoo, my muse/MC has a unisex name: Jordan. I’m really fond of unisex names and I have no idea why. I’ve also used Madison, Cameron, and Jamie (I think that’s it…for now…). 

Have you ever given a character a unisex name? For a full list, check out Behind the Name!

Twins, Siblings, & Families

**My theme for this year’s A to Z Challenge is THE NAME GAME. Everything you’d want to know about naming characters.**

There are plenty of characters who could pop up in your stories. More than likely at least one of them will interact with their family members. These characters could be minor or extremely important, depending on your story. So how do you name these family members? If your main character has a twin, sibling, or other family member, you could find a way to link those names together and make it more interesting for the reader.

Twins can be particularly fun to name. Their names don’t have to necessarily be related at all, but there are ways to connect them. You could have both names start with the same letter or be the same number of syllables. There are other tricks you could use, as well. You could find names that are anagrams of each other (like Amy and May), or even names that are the reverse of each other (Aidan and Nadia). Or you could look up name meanings and find two names that mean the same.

Also think about how connected your set of twins is. Are they extremely close or do they try to separate from one another and form their own identities? Is one good and one evil, or some other version of opposites? You could find a way to reflect that in their names.

WHAT I’VE DONE: In the untitled NaNoWriMo novel that never was, one of my MC’s, Gabriel, has a twin sister named Grace. I knew I wanted their names to start with the same letter. Of course, in my search for the sister’s name, I came across Gabrielle (or Gabriella), but thought that would be super creepy.

Like twin names, sibling names can but don’t necessarily have to be connected to one another. Some parents may plan their children’s names long before they even have them. But unlike twins, when the first child is born they aren’t going to know when or if they will have more children, or what gender those children will be. So most likely they will choose names for each individual child.

There are other ways to connect sibling names, though. You can have an entire family of names starting with the same letter. My maternal grandparents’ names both started with a D so they named all of their children with D names. You could also come up with themes for your fictional families. I once had a novel idea where three sisters were named April, May, and June. You could name a group of sisters after gemstones—Ruby, Jade, Pearl. You could name your characters after flowers, or give them all historical figures’ names. There are so many different possibilities for name themes. If you want to connect your sibling characters’ names, this is one way to do so.

Names can sometimes be a tradition within families. Children can be named for their parents, grandparents, or other distant relatives. Your main character could be the second (Jr.), third, or fourth in line of family members of the same name. How does having an inherited name affect his personality? Does he hate the name or is he proud of it? Does he have a different nickname to distinguish him from the other family members? Does he plan on passing this name on to his own child?

How do you name family members in your stories? Ever written about a set of twins?

Some People You Know (and Their Names!)

**My theme for this year’s A to Z Challenge is THE NAME GAME. Everything you’d want to know about naming characters.**

There are plenty of places where you can find names for your characters. If you just look at things in your house—books, DVD cases, magazines—you’ll find an endless supply of possible names. But you may not even have to get up to come up with a name. If you had to make a list of the first names of every person you’ve ever met, how long would it be? You’d probably be sitting there for hours, right? So why not use one of those names?

This can actually be a bit tricky. If you think of a name and it just happens to be the same as someone you used to work with or was in your kindergarten class, you probably won’t have a problem. If it’s someone closer to you, it may be a bit harder. It depends on why you want to use this particular name. Does it have anything to do with the actual person, or do you just like the name?

If you’re actually trying to model your character after someone you know or have known (and it’s not a memoir), then it’s probably not a good idea to use their name. Unless, say, it’s your best friend and they’re totally on board. And of course, naming your villain after an ex can be extremely tempting. But it may be better to mold the character around the way the person behaves or things they have done, rather than using their name. 

On the other hand, first names should be pretty free to use. If it’s a name that everyone is familiar with, then it’s unlikely that you’ll get in trouble for using it. Especially if it’s somebody you don’t know anymore, or barely knew at all, and the character doesn’t actually resemble the person.

The problem for your character is that you have to separate who he/she is from the actual person whose name you’re using. If you don’t want this person’s personality traits influencing your character, it may be difficult if it’s a name that you automatically associate with someone you actually know. Try to think about why you want this particular name for this character. What does the name mean to you and how does it fit the character? Using a name that belongs to someone you know may not be the easiest thing to do, but if you really like a name, and it fits with how you see your character, go with it. 

WHAT I'VE DONE: Ok, this one's a stretch, but I do have a slight revenge based name. A minor character in UL, Brian, is very loosely based on a girl I used to be friends with (because teenage girls and boys go about things differently, so he really bears little resemblance to her). But I've kinda always had it in the back of my mind that he has the same last name as her. I don't actually use it in the story so I figure I can get away with it. But if anyone ever asks...

Have you ever named a character after someone you know? Did you just use the name or was the character like that person? 

Research & Resources

**My theme for this year's A to Z Challenge is THE NAME GAME. Everything you'd want to know about naming characters.**

Sometimes when you're naming a character, the name will simply pop into your head. Even when you find yourself this lucky, however, you may still need to do some research to make sure your name is accurate. And if you can't figure out a name, there are plenty of resources out there that can help you. Here are some tips and places you can go to help you figure out those pesky character names. 

Research Tips

• Once you've figured out your character's full name, Google it. You want to make sure it doesn't belong to a well known character or a famous person. 
• Make sure your character's name fits their ethnicity, especially their last name. If you haven't figured out your character's ethnicity, do some research on their physical traits to figure out where they could have come from. 
• Also make sure the name you've chosen would actually be used in the time period your book is set. 
• Check out name meanings to find something that reflects your character's personality, or just for that added bit of symbolism (there may be an entire post on this subject in the future...)

My Favorite Resources

• Behind the Name: My absolute favorite name site. Each name entry includes the meaning as well as where the name came from and what cultures use it. You can also look up names from Ancient and Medieval times, as well as mythology. And check out their separate site for surnames! 
• Nametrends.net: This site allows you to look up a name and see how popular it has been in different years. It also includes US maps to show which states the names have been popular in. 
• Fake Name Generator:  This site generates a random name with an added bonus of an entire identity, including address, email, and mother's maiden name. It also lets you choose what culture/ethnicity you'd like the name to come from. 
• Fantasy Name Generators: This site will create a fantasy name for every fantasy series, and can also come up with names for pretty much everything else you could imagine--places, pets, band names (wait a second! I'll be over here for a while...) 

What sort of research do you do when naming a character? Have any favorite naming sites?

Quirky Names

**My theme for this year’s A to Z Challenge is THE NAME GAME. Everything you’d want to know about naming characters.**

You have a lot of choices when it comes to figuring out a character’s name. You can go with a first name that’s popular or common—one that everyone has heard before. Or you can go with something that’s a little more unique.

What exactly makes a name quirky or unique? It could mean different things depending on the name. There are plenty of names out there that aren’t as common as others. A unique name could just be one that you’ve heard of maybe a few times, but isn’t quite as popular as those names you tend to hear every day. Some names may be more common in different places, but unheard of in others. And there’s always the option of creating a brand new name, which could work depending on your genre or your character’s backstory.

So why would you want your character to have a quirky name? The good thing about a unique name is that it will stand out. People will remember it. It’s a great way to have your main character stand out right from the very beginning, and it may just give your character a little something extra to their personality.

The bad thing about a unique name is pretty much the same as the good thing. It’s going to stand out, meaning that people could question it if it’s really out there. This probably won’t be a problem if it’s just a name that’s fairly uncommon. If you choose a name that no one’s ever heard of, though, you’ll probably need to address it. The reader will want to know where this name came from and how it affects your character’s life. How does he/she deal with having this name? Is it something she embraces or does she hate it? A unique name could impact how a character sees herself.

FUN TIP: If you do want a unique name for your main character, it may be a good idea to give your supporting characters more average names. Your main character’s name will be more memorable than the others’, and it will make the characters more believable. If you think of the names of all the people you know—how many of those names are unique vs. average? There could be a mix, but there are probably more common names in that group. You’ll want your group of characters to be the same.   

Do you prefer quirky or common names? Have you ever made up a name? 

Popular Names

**My theme for this year’s A to Z Challenge is THE NAME GAME. Everything you’d want to know about naming characters.**

There are so many different things that can influence how you choose a character's name. You may want to choose a name that is unique and interesting, or you may want to choose one that is more common and believable. It will all depend on who you want your character to be and the kind of story you’re writing. One thing you can take into consideration is how popular a name is.

Think about the first names that were popular when you were growing up. When I was in school, there were a lot of Ashleys, Brittanys, and Michaels, for instance. A popular name will probably come to mind first if you just try and think of a random name, because it’s probably something that you’ve heard over and over again. The more people who have a particular name, the more popular it is.

When it comes to naming your fictional characters, knowing which names are popular may help you figure it out. If your book takes place in a particular year, knowing which names were popular is important. Even if you want a unique name for your main character, you still have plenty of other characters who need names. Giving them popular or common names may make your cast of characters seem more realistic. If every single character has a unique or strange name, the reader could be thrown off. Popular names occur in real life, so they should probably occur in your story.

FUN TIP: The Social Security Administration keeps track of name trends in the US. If you want to see which names have been popular from year to year, check out their website!

So what causes trends in name popularity? Pop culture can be a HUGE influence on what people name their babies. If a TV show or movie is particularly popular, new parents often jump on the bandwagon and name their children after its characters. For instance, the name Arya was at #942 in the US in 2010. In 2013 it had risen to #277. Game of Thrones premiered in 2011. Coincidence? Not even a little bit. 

Movies, television, and books are constantly influencing name trends. The name Luke started to rise in popularity after the first Star Wars movie was released, and has been popular ever since. Willow gained popularity after Buffy the Vampire Slayer first premiered. Official 2014 numbers aren’t out yet, but I wouldn’t be surprised if Elsa is in the top 100 after the popularity of Frozen.

You can, of course, name your characters after other characters, although this can be tricky. But just knowing what names are popular can help you figure it out, whether you want a popular name, or even if you want one that isn't...

Do you choose popular names for your characters? Come back on Monday for pretty much the exact opposite of this post...

Other Things that Need Names

**My theme for this year's A to Z Challenge is THE NAME GAME. Everything you'd want to know about naming characters.**

Today we're going to play a little bonus level of The Name Game. This post isn't about naming characters, but about other things that may be in your stories that also need names. We've talked about people and animals, but what about all of the various objects that go by specific names? Coming up with names for these things could be as hard or even harder than deciding on a character name. Here are just some possible examples of things that you may want to name in a story. 

Places. If you create a fictional setting, you may need to name a town, country, or even a planet. Plenty of buildings and businesses will also need names: schools, stores, restaurants.

Groups and Organizations. Clubs and teams will most likely need names. If you’re creating a fantasy or even a cult story, you may need to name a religion. BAND NAMES (I still haven’t come up with a name for Jordan’s band. I’m avoiding it because I don’t need it right now and it’s the hardest thing ever.). And evil organizations, of course. 

Body Parts.  I know your mind just went straight to the gutter, but let’s not forget things like fists or muscles. Obnoxious? Yes. But do people do it sometimes? Yup!

Vehicles. Boats usually have names. So do spaceships if you’re writing Sci-Fi. Some people even name their cars (I named my car after a character in my favorite musical! Because that's normal, right??). 

Weapons. Lots of people name their guns, knives, and other weapons.

Other Inanimate Objects. Your computer, laptop, or phone might have a name (most likely so you can yell it when there are technical difficulties). Children will usually name their stuffed animals and other toys (I had over 300 stuffed animals and they all had names…and I knew every last one of them).

Really, anything could have a name if you wanted it to. You could have a character who names every dish, utensil, and piece of furniture, although that may get a bit confusing keeping track of all those names. Some of these things like places or organizations really should have a name if you want it to seem realistic, whereas something like a car or gun could just be an interesting character quirk. 

How do you come up with names for places or groups? Do you have names for any random objects?

Nicknames

**My theme for this year's A to Z Challenge is THE NAME GAME. Everything you'd want to know about naming characters.**

Pretty much everyone has had a nickname at some point in their lives, whether it was something your friends called you in high school, or just your significant other calling you “honey.” There are so many different ways to get a nickname, whether you love it, hate it, or just put up with it. Choosing nicknames for your fictional characters can make a huge impact on your readers. You can pick something that is significant to the character and shows who he is and how he lives his life.

A nickname can hold a lot more meaning than a first name. It’s most likely chosen or created by someone close to the person or even the person himself. It can be reflective of his personality, or something that he has done or has happened to him. A character’s actual name would be chosen by his parents before he’s even born. A nickname, however, is usually something that holds meaning to who he actually is as a person. It can come from his physical characteristics (like hair color or body type), his occupation, or where he comes from. Really, the possibilities for nicknames are endless.

There are plenty of ways to use nicknames within your story. Your character could already have it before the story begins, or something could happen during the story that causes its creation. Maybe something embarrassing happens that creates a nickname that continues to haunt him. Nicknames could be good or bad. A person’s friends might give him a nicer nickname, whereas people who aren’t that close to him could call him something derogatory. A nickname can be a great source of emotion for your character. If he hates it and has to deal with it on a daily basis, then that could just be another thing he has to work through during the course of the story. 

When you choose a nickname for your character, think about why he needs it, who gave it to him, and how he responds to it. All of these things will factor in to how significant the nickname turns out to be in your story.

Terms of endearment are another form of nicknames you can use. If you have a couple in your story, they most likely won’t refer to each other by their first names all of the time. They’d be more likely to use something like “baby,” “honey,” or “sweetie.” These terms are just something that will make the characters feel more realistic, because using them is something that we all tend to do. It’s also just something that hopefully the reader will find adorable when they picture these characters interacting.

WHAT I’VE DONE: Surprisingly, I haven’t thrown in too many nicknames into my fiction, but a few terms of endearment do pop up now and then. Tom repeatedly calls Jordan “gorgeous” in UL. In real life, my fiancé and I call each other “sweetie” and he calls me “princess,” as well.

Have you ever given one of your characters a nickname? What do you call your significant other? 

Middle Names

**My theme for this year’s A to Z Challenge is THE NAME GAME. Everything you’d want to know about naming characters.**

Most of these posts have been about first names, and yesterday I talked about giving your characters last names. Now there’s just one portion of a person’s full name that’s left: the middle name! Like the last name, the middle name isn’t always necessary to have for your fictional characters. It isn’t usually something that will pop up very often within the story. But it does help you form a stronger identity for your characters.

Middle names aren’t all that likely to show up within a story. Like real life, they’ll probably be used mostly when you’re in trouble with your parents. When you hear your full name, you know things are serious. Whatever reason you have for using a character’s middle name will vary from story to story. A character’s middle name can mean nothing, or it can be very significant, whether it’s through symbolism or just family backstory.

If you don’t end up actually using the middle name, choosing one can still be fun. Your character will feel more real to you because you know his entire name. So how do you choose one? A middle name can be something traditional within a family. The middle name Elizabeth has been passed down from my mother to my sister to my niece. I got my paternal grandmother’s middle name. Another common tradition is using the mother’s maiden name as a middle name. Or you can just choose whatever middle name you’d like. It can be as random or as significant as you’d like it to be.

You’ll want to think about how the whole name flows together—first, middle, and last. Choose something that sounds good and feels right to you for this character. There are plenty of possibilities when choosing your character’s middle name. Some people have more than one middle name. Historically, having a very long name shows a higher rank in society. Some people choose to go by their middle name rather than their first. Maybe your character hates his first name or is named after a family member he wants to forget. Middle names don’t have to be useless for a character. They can hold some significance as well.

WHAT I’VE DONE: I’ve only given four of my characters middle names, but for some reason, Jordan’s was the hardest to come up with (he couldn’t just tell me because he wanted to be a jerk, apparently. *snort* Muses…). For a while I knew I wanted it to start with an M and eventually settled on Mason, and created a whole backstory for it as well. Mason was his grandfather’s name and would have been his, too, if his grandmother had her way. Since his mother hates her parents, she never uses his middle name. I can picture her starting to yell at him, screaming, “Jordan M—” then getting thrown off and forgetting what he had done to get in trouble in the first place.

Do you give your characters middle names? Where did your middle name come from? 

Last Names

**My theme for this year's A to Z Challenge is THE NAME GAME. Everything you'd want to know about naming characters.**

When it comes to naming a character, the first name is most likely going to be the most important thing for you to figure out. But if you look at your characters as if they were real people, then their first names really only make up part of what their full names should be. And if you want your character to feel like a real person, then he should have a last name. 

Of course, last names usually won't be as important as figuring out the first name. It won't be used as often. Depending on the character, it may not be used at all. Every single character who pops up in your book doesn't necessarily need a last name. It would probably be distracting trying to keep track of all of them. Your minor characters probably don't need them, but it's probably a good idea to give last names to your main characters. It may come up, and it may not, but it's good to have it in the back of your mind. 

You probably won't be as passionate about a character's last name as you will be about their first, and that's perfectly fine. It doesn't always make up a huge part of their identity like a first name does. It can be something common or generic and still not make the character seem boring. What it really does is make them feel like a real person. Even if you don't use the last name, it's a good idea to know it so they feel more real, more concrete in your mind. And if you need to sneak it in somewhere, then you already have the name on hand and don't have to spend a lot of time searching for one. 

FUN TIP: Can't come up with a last name? If you've got a phone book lying around (yes, they still exist...), close your eyes, pick a random page, and point your finger somewhere on the page. If you like the last name you land on, use it! 

So when will you actually use a last name within a story? Some people go by their last names more often than their first. At my last job, pretty much everyone called me Foster. So whether your character goes by his first or last name can depend on where he is and who he's with. His family will most likely use his first name (or his full name if he's getting yelled at, but more on that tomorrow...), but maybe some of his friends call him by his last name. 

It can also come up when mentioning family members. If your MC's parents are constantly being referred to as Mr. and Mrs., then obviously you need to know your MC's last name. You'll want a last name that actually fits with the first. They shouldn't have similar letters or sounds, or both have a ridiculous amount of syllables. You'll really just want them to flow together, to actually sound like a name that someone would have. 

WHAT I'VE DONE: I only gave the two main characters in Uneven Lines last names (plus the MC's mom, of course). One of Jordan's friends, Brian, pretty much always calls him by his last name, Palmer. I don't even know why. He's just one of those guys, I guess. 

Do you give your characters last names? Has anyone ever called you by your last name? 

Killing the Name

**My theme for this year’s A to Z Challenge is THE NAME GAME. Everything you’d want to know about naming characters.**

Sometimes a character’s name comes to you right away. Other times you have to research it, go through countless lists of names before you find the right one. No matter what works for you, at some point you will choose a name for your character and you’ll start writing. Sometimes, though, you may discover that the name you chose is no longer working, and you have to change it. This can be devastating, but if you feel it’s necessary, it may be the only choice to make.

There are plenty of reasons why a name won’t work for a particular character. If the names of all of your characters have too many similarities (same number of syllables, starting with the same letter), it may be smart to mix this up a bit (I’ll have a whole other post on this subject for the letter V). Maybe the name is too similar to someone you know or someone famous. Or maybe the name just doesn’t feel right. Every time you write it, it just feels off. It doesn’t fit the way you picture this particular character.

There’s also other people’s perspective on the name to consider. If you have one person read your work and they don’t like a name, that doesn’t necessarily mean you need to change it, unless they give you a good reason. If everyone you have read it hates the name, and their reasoning makes sense to you, then you probably should take it into consideration. Ultimately, though, the choice to kill a name is totally up to you. If you love a name and think it’s working, then stick with it.

WHAT I’VE DONE: I actually need to rename a character who is in my sequel ideas for Uneven Lines. The drummer in Jordan’s band so far has been named Joe, but I thought having two characters’ names start with the same two letters wasn’t going to work (and I certainly wasn’t going to rename Jordan!). I’ll probably pick another one syllable name, since the other two guys in the band also have two syllables in their names (Eric and Adam).  

It can be difficult to change a character’s name when you’ve already grown accustomed to it. A secondary character may not cause you as much grief as a main one, but there is still a process to work through. You’ll have to consider everything about this character’s identity. Why wasn’t the name working? What sort of name will work? Will the new name go well with the other characters’ names? It may take a while to find that one perfect name, but it’s out there and you can find it.  

It’s kind of like ripping off a Band-Aid. Once you know you have to change the name, try to figure out the replacement as soon as possible. You don’t want to dwell on the decision or you may second guess it. Also, be sure any mentions of the original name are replaced with the new one. Do a search in your documents to find and replace them. You don’t want your character’s old name haunting your story like a ghost!

Have you ever had to change a character’s name? Why did it need to change?