Don't Save Everything for the End

Something awesome happened on Friday night. I wrote some words! Real, actual words! I didn't just keep them bottled up in my head! Ok, so it was only 1,218 words, to be exact. But seeing as how I haven't written anything besides a blog post since August, I will definitely take it. Hopefully this means I'll be able to start writing more and more. 

Since I'm working on rewriting the last third of my book, I've been thinking a lot about the order in which things happen. How much of what happens at the end really needs to wait that long? Do we save certain moments just because we want a satisfying ending? But if the reader has to wait that long, will it even be satisfying at all? 

Every story is going to be different. If you're writing a mystery, for example, then you probably don't want to reveal who the killer is until the end. Every story is going to have its own appropriate climax and you'll most likely know how it will all turn out. 

But what if there's more to your ending than the actual ending? Are you saving too much for the end and leaving the reader bored along the way?

For me, at least, I knew something felt off about the end. Not just in the main plot, but in the subplots as well. It was like I wanted to end each part of the story by punching the reader in the face. Sometimes that can be a good thing, but you really want to consider all of the options. If you're saving everything until the very last moment, then what is happening in the meantime? Is it enough to hold the reader's attention? 

Maybe the solution is to push things back. The first thing I realized I had to do involved one of the subplots. I had it end with a "holy crap," punch-you-in-the-face sort of moment. But honestly, the more I thought about it, the more forced it felt. I had a character reveal something in a fit of rage and it just felt like I was putting it there to be dramatic and it honestly didn't even fit his character. So I decided to push it back. Have him reveal this information earlier in the story and in a calm, natural way that feels realistic. Not only does this make the subplot more interesting earlier on, but it also left things open for me to end it in a different way. And this new ending feels more realistic for the characters and just less cliched in general. So I think it's going to work a lot better than the original. 

As far as the main plot goes, my aha moment was realizing that I could take something from the very last chapter, throw it like a grenade into an earlier part in the story and watch it blow everything up. It was such a scary realization because I never thought of the story going this way but once I started to figure it out, it just felt so right. It also kind of takes some of the pressure off the last chapter now so that I can make that feel more natural as well. 

I think my problem was that I was always forcing things to happen, particularly toward the end of the story. But if you keep your mind open and allow yourself to rearrange things and imagine different outcomes then your story might turn out for the better. I think it's better to leave your reader a trail of breadcrumbs leading up to the ending, or you may be forcing everything into the end and just hoping that they believe it. 

What are your thoughts on endings? Should they punch the reader in the face? Have you ever taken something from the end and moved it back? 

Fast Five Friday: 5 TV Character Crushes

This is my first time taking part in the Fast Five Friday blog hop, created by the gals over at Cover Girls! This week they've asked us to share our 5 TV Character Crushes. I was super excited to do this, until I realized that I really don't have 5 crushes. I had maybe 2, and even that felt like a stretch. Ok, so I'm weird, right? I don't know if it's possible to be partially asexual, but if it is, I am. I just don't look at a guy and think, hey, he's hot. My brain doesn't work that way.

But anyway, I'll cut to the chase before I ramble off anymore. So I decided to use the term "crush" very loosely, to also include characters who I absolutely adore and if they're not on screen I want to throw a hissy fit. So yeah, a few gay guys snuck in...what do you want from me??

1. Dr. Spencer Reid from Criminal Minds

2. Jim Harper from The Newsroom

3. Captain Jack Harkness from Doctor Who & Torchwood

4. Connor Walsh from How to Get Away with Murder

5. Patrick from Looking 

This World Bites by Loni Townsend

Today I'm hosting author Loni Townsend, in honor of her new release, This World Bites. She's sharing her experiences with the horrible yet inevitable task of killing your darlings. I'm learning a thing or two about that lately as well. Take it away, Loni! 

Killing Darlings for the Sake of Success

I want to start with a huge thank you to Sarah for letting me on her blog today. I know she's decided to scrap the last ten chapters of her story, and I totally relate to how daunting that is. 

This World Bites had a different ending than what I actually released. A few people even got to read it. It turns out, not everyone appreciates my twisted sense of humor, and it made some people downright angry with me. Some people loved it (thank you, Elizabeth), but even so, I decided not to risk tanking a possibly good rating on the very last page.

Of course, I can't tell you what the original ending was, because it would ... well, give away the ending. But after you read This World Bites, if you want to know how the story originally ended, hit me up. 

Will it pay off? Possibly. I think more people will be okay with this ending. Is it better? Eh... That's a matter of opinion. I still giggle to myself when I read the original. 

It's hard to let go of those tidbits we love. But sometimes, what's best for the author isn't what's best for the story. 

Have you ever had to cut something that you just didn't want to let go? Did you regret the decision afterward? Do you think your story is better because of it?

It’s her first day on a new world and Cera’s already found trouble. Michael, her guardian, has been bitten by a zombie and will soon join the undead ranks.

Everyone tells her there’s no cure, but Cera isn’t one to be deterred. She’s willing to face off with zombie hordes, demon slavers, and black market informants if it means she’ll find a cure for Michael. But she’s not the only one hunting for something.

Something is hunting her.

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By day, she writes code. By predawn darkness, she writes fantasies. All other times, she writes in her head.

People call her peculiar with a twisted sense of fashion, but don't let those understatements fool you. Her behavior is perfectly normal for a squirrel disguised as a human. That's part of being a ninja—blending in.

She makes her home in Idaho with her sadistically clever—yet often thwarted—husband, two frighteningly brilliant children, and three sneaky little shibas.
Find her on her blog or social media.
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Don't Fight the Inspiration

Writers crave inspiration. We seek it out from music, books, and anything else that may inspire us. We sit around waiting for it to strike for what feels like forever, usually whining about writer's block and absent muses. But when that inspiration finally hits, do you use it to its full advantage? Do you write every possible second you can before it fades away? Or do you let it slip through your fingers?

One of the things I always do before I write out a scene is picture it several times in my head before I write down a single word. It helps me picture exactly how the scene is going to go, and I can make changes if things don't feel right before I even start writing. If a particular story is occupying my brain, it's pretty much all I can think about. I'll picture different scenes while trying to read, taking a shower, or even when I'm trying to fall asleep (believe me, that's when the best inspiration hits). My problem is that I don't always use this inspiration to its full advantage. So it feels like I'm fighting it.

I'm sure everyone has their own reasons for not writing even when they're feeling inspired. Maybe the images are in your head, but the words aren't materializing as easy. Maybe you have too many ideas and can't focus on just one. Maybe you just don't have time to write. Or maybe you're scared to.

I know, it sounds weird, but I think it's my problem so I figure I can't be the only one. Whether its a story idea that you've been working on for years, or one you just came up with, sometimes making the commitment to write is easier said than done. The story you've been working on forever may seem too daunting and exhausting, and you feel like you'll never figure it out. And maybe that new idea seems fresh and exciting, but who knows what will happen once you commit to it? Either way, those ideas feel safer in your head, so you don't write anything. And if you're like me, if you don't give in to the ideas, eventually they start fading away.

It sounds crazy, right? Shouldn't we be milking the inspiration for all it's worth? Why is it so difficult to actually start writing? Fear is a big factor, but I also think it's about self-indulgence. Just thinking about those ideas can be entertaining, and you don't have to worry about getting all the words right. It's just for you, so why should it matter? What you have to realize is that writing can be self-indulgent, too. If you like an idea enough, why not write it down? If nothing else, at least you would be able to read it. Having those pictures in your head be words on the page can be motivating as well. You'll want to write more. And if you think it's good enough, if you keep working on it, hopefully you'll want someone else to read it, too.

No matter what your reason is, don't fight the inspiration. Give in to it. Any chance you have to write is a chance you should take.

Hey, I Read Your Book! Effigy

Ok, I admit it. I totally dropped the ball on my book review posts. In my defense, I'm a very slow reader (somehow I'm already behind in this year's reading goal). What I don't have an excuse for, however, is getting the review for this book done, because I finished reading it about three months ago. It was just one of those "oh, I'll do it next week" sort of things. Anyway, I'm still going to aim to write a "Hey, I Read Your Book!" post once a month, and hopefully I'll have two books to review next month. But you know what happens when I promise things...

So, FINALLY, my mini-review of...........

Effigy by M.J. Fifield

Effigy was one of those books that had me constantly wanting to throw it against the wall. And I loved every second of it. From the very beginning, I knew this was a book that wasn’t going to hold back from its darker moments, and it did not disappoint. The twists and turns had me hooked throughout the whole book, always wanting to know (and sometimes fearing) what would come next. A rich cast of complex characters, wonderful use of descriptions, and incredibly intricate world-building made every page interesting and well-developed. The characters were flawed and felt very real. For me, Haleine was easily the most relatable and likable character. You can’t help but root for her as she is put in an unbearable situation and must find a way to work around it, at times fueled by her love and devotion to Dana, her desire to help the rebellion, or just the sheer will to survive. The villains are easy to despise, and even the good guys do things that will leave your jaw hanging. This book has a little bit of everything: a love story that you will constantly hope against hope will work out, relatable characters, nasty villains, bloody battle scenes, book-hurling disappointments (expect a few deaths), magic, gods, and above all, will cause an overwhelming desire to read the next book in the series. Can’t wait for its release!

A Super Lame Post!

Ok, so I had a good idea for a post. I really did. I've tried writing it at least three times today. But I'm pretty sure I'm coming down with a cold and just kind of want to take a nap. I don't know HOW I would even get a cold since I haven't left my apartment since Saturday (it's too cold out!) and my fiance isn't sick, either. So anyway, I can't really get my brain to function. But I didn't want to not post anything because that would screw up my blogging resolutions! I'm just going to chug some more orange juice and DayQuil and hopefully my brain won't feel so fuzzy anymore.

Scrapping the Last Ten Chapters

I know most people have what they call an "aha" moment, but I had a "holy crap!" moment. And it is both exciting and terrifying.

I've known for a while now that I needed to change a lot in the last third or so of my book. I just had no idea how to actually change it. It's really hard when you've spent a few years and more than one draft with all of the moments in the story being pretty much the same. It's difficult to picture another way to write it, or different scenes to replace the ones you know aren't working.

Well, last night I finally had a breakthrough. I was actually just trying to brainstorm one of the subplots, and I thought of something that worked, but then the scene I was picturing kept going and ended up in the main plot's territory. I just let the idea run free to see where it would take me. And then suddenly things were happening that I did not expect.

My first thought was, "HOLY CRAP," followed by a "Nooooooooooo." Because I knew instantly that what I had imagined was absolutely perfect. But it was going to change everything.

I always knew I was going to need to basically scrap the last ten chapters and start from scratch, maybe saving a moment here or there that still worked. But this new scene I imagined makes most of those chapters unusable. My characters' whole relationship has to change after this moment, in a way I never imagined, or even would have considered to be possible way back when this was just a short story. But I've spent so much time with this story that I know this change feels right. It's just going to be a lot of work.

I finally feel like I'm on to something. I have no idea right now what will actually happen after this particular moment in order to lead the story to its end, but I think I can figure it out. Sometimes change can be terrifying, but it can also be a lot of fun. There's nothing quite like that feeling when all of the pieces start to fall into place.