Jordan Takes Over: Character Nicknames

**The first Monday of every month, I let my muse take over the blog. I apologize in advance.**

So, things are a little different today because I have AN INTRUDER on my post. And you thought I was greedy. But I think you guys like our witty banter or something, so without any further BS...Miss Writer Lady!

What'd I miss???

STAHP. What are we doing here, anyway? I haven't had a cup of tea yet. You know what, never mind the tea, I'm going back to bed.

Nice try! We're going to have some fun with character names today. Or more specifically, character nicknames! And not the ones that you would actually use in a story. Because if any other writers out there are like me...

Psychotic...

*glares* Anyway...you may refer to your own characters with nicknames that you would never actually use in a story. Whether because you love them so much you create gooey sappy nicknames, or you hate them so much you commonly refer to them as something that probably shouldn't be uttered in front of children. So we're gonna have some fun today and go through the characters in Jordan's series and maybe some extra characters will manage to sneak in as well.

Not likely. Why do I have to be here, exactly?

Because I'm guessing you have nicknames for these characters that are probably a bit different than mine...so let's start!

They don't even know who these people are...
SHHHH.

UNEVEN LINES (BOOK ONE) 

Jordan (!)

Jojo!
*rolls eyes* I don't have a nickname for myself. That would be weird
Ok, I get another! Bane of my existence! SASSAFRASS. 
Please stop.

Tom

You whore! We don't talk about him!
He's the second most important character in the book; you had to have seen this coming. 
I want out!
GIVE ME SOMETHING!
Ugh...I think I frequently called him loser. Or like, math geek. Psycho baker! That was a good one. Can we make cookies?

Allison (Mom)

I don't think your readers will appreciate the words I use for her.
You just called me a whore. 
I would never be that nice to her.

Eric

Light of my life.
Badass. 

Brian

A-hole.
Um...yeah, that's accurate. 

Madison

HAG.
I thought that was me?
YOU'RE BOTH HAGS. You can be Queen Hag and she can be Princess Hag.

BOOK TWO

Seth

Sticks! *air drums*
Joe...I mean, Max...I mean, Seth! Seth! He finally has a name! I never thought it would happen.

Adam

Yoko. 
Hair.

Cameron

He-Who-Must-Not-Be-Named
I still say you just change it to Voldemort. It'll save time. 

Abby

A red-haired, blue-eyed, demon child sent straight from hell to torture me.
I thought you adored her.
I do. She's my entire world.

Ben

The guy I wasn't supposed to know about.
Same. Characters are always doing things they're not supposed to be doing. Like existing. 

BOOK THREE

Anthony

That stupid beefed-up queen???
*laughing hysterically* I just wanted to include him so you would say that. 

And now before he notices...CHARACTERS FROM OTHER STORIES WHO SOMEHOW SNUCK INTO MY SUBCONSCIOUS WHEN JOJO WASN’T LOOKING

More like sleeping.

Raynor from "The Last Dragon" 

Ray Ray!
Fire boy.
YOU'RE SPOILING IT!
IT COMES OUT TOMORROW FOR F'S SAKE!

Jason from Shiny New Story

Just J. 
Needs-To-Take-A-Chill-Pill.
He's not that bad. He has a troubled past!
He needs a personality makeover. I'll fix that.
He's not gonna sleep with you. He's in a committed relationship. 
Hey! Did I say I was gonna seduce him? I have various means of persuasion. *cracks knuckles*

Eli from Shiny New Story

My widdle Eli cuddlekins omg I wanna pinch his cheeks.

Calm down, woman! You have a problem. Plus he’s 18, not an infant.

*sticks out tongue* 

Ok, time to wrap this up.

I'm sure we've lost everybody by now. 

I guess we could go make those cookies. 

I'm not gonna make out with you while they bake, though. 

Well that's a relief. 

JP & SF <3

Do you give your characters nicknames that aren't actually in the story?

Nonsense Pile

I wasn't going to write a blog post at all, but since I skipped last week I thought I'd better try to get through it. So prepare for the nonsense!

What's going on with me? Too much. I think. I can't think straight right now, actually. I'm all over the place. There's always too much I want to get done in a day and not even close to enough time. Especially if I'm working.

Writing stuff! I'm still working on the Chapter 7 edit for UL. It's never ending. I'm pretty much rewriting the last part because the whole scene has always been so rushed before and it really just doesn't make sense that way. I just want to get to Chapter 8 so bad because I know it'll be so so easy and fun. But Chapter 7 is a bitch. This whole novel is a bitch. I've been writing it for 6 years, for crying out loud. Oh well. I trudge on.

I've been trying to read more. I keep picking ridiculously long books, though. And I'm a slow reader. I am trying to read more poetry as well, though. At least those I can get through more quickly.

Speaking of poetry, I think reading it just instinctively makes me want to write it. I just wrote two poems back to back today while I was trying to read. I mean, they're stupid and they're about the same person but maybe I can carve something out of them. I'd like to go back and edit some of my older poems and try to get them published.

Guys, the release date for Hero Lost is a week from tomorrow! Yikes! I'm working on all this blog tour nonsense. Try organizing 12 authors and 17 blog tour stops. But I'm a crazy person and a control freak apparently because I don't want help. Except my Excel spreadsheet. I do have 4 people who signed up who HAVEN'T EMAILED ME BACK AND I'LL BE COMING AFTER YOU and I'm so sorry I think I'm dehydrated. Too much coffee. Check your spam folders, prease.

I've also been cleaning my apartment like a crazy person and my husband has actually been willing to throw stuff away. It's a miracle! We donated two whole trash bags full of old clothes and are throwing out all the junk we don't actually need. It's actually starting to feel like there's space around here!

Ok I think I'm done. I'm so sorry for the nonsense. I think I have a fun collaboration post with you-know-who next Monday and then it's IWSG on Wednesday (after the book release! *GASP*).

No really. I'm done.

Sometimes You Need "More"

I have a certain note that tends to pop up as I'm editing my novel. 

I'd say I write it at least once on every page. 

No, really, it's a lot. 

That note is, of course, more. Really, I've looked at it so many times I'm not actually sure it's a real word anymore. I guess it's a good thing that I notice the need for more, though. A certain paragraph may not seem clear enough, or not dive deep enough into what's going on or what the characters are thinking or feeling. At least if you know a scene needs more, you can eventually figure out what to put there. But what do you do once you know you need more? How much more do you need? 

For me, the "more" note usually means that I rushed through a scene or a moment. I didn't draw it out enough, give the characters enough to say so that it seemed realistic and got the point across to the reader. Or maybe I had an idea and I got the bare bones of it down but I didn't really give enough to get the point across. Sometimes when you're writing a first (or second) draft, the ideas may not be as concrete as you'd like them to be, but you know there's something there so better to put something down to fix later than nothing at all. 

In the case of that last more more more,  I had definitely rushed the end of the chapter. I don't know how I didn't notice it before. I've literally spent two chapters of one character saying "we should get together somehow," and the other responding with, "no no no absolutely not." Then in less than a page I have him change his mind and say, "yeah, ok." I obviously need to get to that point for the story's sake, but I got there way too quickly. It just doesn't make any sense for the pace of the scene or for that character at all. There needs to be way more thought process and way more discussion for him to suddenly change his mind. Because it shouldn't be sudden at all, it should be gradual. Even if that change of heart happens over the course of one scene, it still needs to be drawn out properly.

Hence all the more. At least I know where it needs to happen. What exactly that "more" needs to be, can be a little bit trickier. But I take it one paragraph at a time.

So Long, Symbolism!

It's the first Wednesday of the month, which means it's the posting day for the Insecure Writer's Support Group! Click here to learn more and sign up!

So, it's April. How is it April already??? I know a lot of you are participating in the A to Z Challenge, but I've decided to skip this year. I have a GIANT list of reasons for that (some I'd rather not get into) but the main thing is that I really need to focus on editing my novel and I know doing the Challenge will take away an entire month from that. It is rather relaxing, though, not having to worry about getting posts done and visiting others. Now I just actually have to make good use of the free time.

Recently I was doing some setting research that led me to a heartbreaking realization (ok, I'm exaggerating a little). It really just started out in Chapter 7 with the narrator mentioning a ten minute subway ride to get to another character's apartment. I just wanted to make sure it actually would be ten minutes--turns out, yes, I had that right all along--depending on which station my MC lives closest to, I'm flexible with that. But at least it was believable enough to work.

But for some reason I went into research mode and turned into some kind of psychopath. I've always had a vague idea of what neighborhoods my characters lived in, but I wanted to make sure it was realistic for them to live there. So this leads me to browsing actual apartments and wondering if a character could afford an apartment on the Upper East Side and...well, probably, but said apartment would be a lot smaller than how I pictured it in my brain. But that's not a big deal. Easy fix.

The devastation came because I've always kind of wondered if a certain detail about said character's apartment would actually be realistic. I don't even know why I haven't done the proper research before, but I decided I needed to settle the matter.

So all this nonsense is about windows. I've always had this character's bedroom not have any windows. This was for some pretty heavy symbolism. It was just one of those things that worked and made sense but I wasn't bashing the reader over the head with it too much. I'm pretty sure I only mentioned it twice. But if they're able to read between the lines, it was saying a lot.

The problem? It's actually illegal for a bedroom in an apartment to not have any windows. In New York, at least, and I assume most other places. I know what some of you might say--so what, do it anyway! I'm just not sure it's an important enough plot point to do something that would never happen in the real world. Was it a cool bit of symbolism? Yes! But am I willing to have the reader question if the story is realistic over it? Uhhh...not really.

So, farewell symbolism! You were cool while you lasted. I guess I'll just have to put up curtains.

Jordan Takes Over: When a Muse Gets Writer's Block

**The first Monday of every month, I let my muse take over the blog. I apologize in advance.**

I'm gonna have to be honest with you people. And yes, that's a thing I can do. I have no idea what to write about today. But Miss Writer Lady wouldn't let me skip my post so...here I am. I mean, I know you'd be devastated if I skipped this month, but hey, at least being devastated is more interesting than being bored.

I hate being bored. It's literally the worst. This is usually why I end up causing trouble--because I'm bored. It's basically why my novel exists. Hey, you try living pretty much alone at 15 because your mom sucks and doesn't care about you and your friends are lame and you're still in the closet so you don't have a boyfriend. I mean, what do you want from me? I have to find some way to amuse myself.

Anyway, God, why did I go there? We've been working on my book so much lately, I can't help it. I guess that's a good thing. I need attention! Almost as much as I need naps. But when I need naps I just send in Adam to work on some Book 2 or 3 nonsense so if Sarah is complaining, I don't want to hear it. She's got plenty to do.

Did you think this post was going to be coherent? I told you, I have no idea what to write about. And that's ok because I'M NOT ACTUALLY THE WRITER. I don't have to make words. I make the inspiration and then she makes the words. That's my job. Get over it.

I'm not cranky, I swear. And don't listen to Sarah or Adam or any other character in any of my stories who's ever met me on that one. Just trust me.

I'm gonna go ahead and cut this short before it goes down in complete flames (don't make the obvious joke!). So what exactly do you write about when you have no idea what to write about? Or do you just not write? I don't know. I told you--I'm not the writer.

JP

Edits, Edits, Edits

I don't know if you knew this, but editing is hard. Even when it's easy, it's hard. Basically, editing can at times be easier but never actually easy. Editing never goes at the fast pace that writing can often go at. You know, when words are just flying onto the page. Rewriting and cutting goes at a much slower pace. And it's never as much fun.

Ok, for all this moping, I'm actually very glad to be in my editing cave right now. It means that I'm getting something done. I've temporarily abandoned Shiny New Story and while I occasionally drift into Sequel Land to write a quick little snippet (dammit, Adam! Stop letting Jordan take naps!), my main focus is on editing Uneven Lines. Woo hoo!

Chapter 6 was particularly tricky. It's a very complicated chapter. Getting it right was no easy task. I've actually always had this thought that I should cut the concept this chapter introduces because it was just too much. But I knew if I did that, basically the whole premise of the novel falls apart. I think I was just afraid of writing something controversial. But I guess the only thing worse would be to have a story be controversial and not commit to it. To try to water it down. If this is the story I'm telling, then I just need to go for it, and punch the reader in the face with it. Figuratively, of course.

So I just had to commit to it. For this particular chapter, that meant adding a lot. I ended up adding two whole pages when it was all done. It seems that most of the notes I write myself when taking the red pen to each chapter say something like, "MORE." Sometimes what's there just isn't enough. In this chapter I wrote a lot of "React!" notes because I didn't feel like Jordan was reacting enough to things that were being told to him. And this was some pretty heavy stuff that any normal person would have a rather large reaction to. Even if he wasn't openly reacting so the other character could see, there still needed to be a lot of thought process for the reader to see. I got a bit frustrated with it and wrote "REACT, DAMMIT!" when I had to make the same note several times.

So it was a lot of work. Cutting old stuff and adding new stuff and elaborating and rearranging. But eventually I got it done. At least I think I did. It seems done. I don't think I'll know for sure until I edit the next chapter. Then I thought I'd read through Chapters 5, 6, & 7 and make sure they all flow together nicely. These three chapters have a certain connection in regards to what is going on in the story, so in order for everything to make sense, they have to work together.

The good news is that I've already taken the red pen to Chapter 7. The bad news is that it's a much hotter mess than I thought it was. Observe the numerous markings:

A lot more "more"s to deal with. Oh well. All in a day's work, I suppose. Or several days. 

Reading Your Own Story

I've kind of always had this idea that if you're not your own story's biggest fan, then you're doing something wrong. When you write something, you're not just telling any story. It's the story that you want to tell. It's something you're passionate about. You love (or hate...or both...) your characters; you want every moment to be absolutely perfect. You wouldn't write something that you wouldn't also want to read.

Unfortunately for me, sometimes reading my work can be distracting, but it has its benefits as well. I usually get into a "my writing is terrible no one will ever want to read it waaaaaaaaaah" mood and then I don't even look at my book for weeks or months. But when I actually go back and start reading, I think, "oh wait, I really like this." So reading serves as a bit of a confidence boost.

That's not to say that everything's perfect. I'm still editing, of course. But I do think the first two thirds of the book are pretty much all set, just need some minor edits along the way. So when I read through those chapters, I actually get sucked into my own story. Sounds silly, right? I mean, I wrote it. I already know what happens. But sometimes I can't help it. Despite all my self doubt and procrastination and lack of motivation, I really do love this story.

So occasionally I get sucked into my own story. Last week I finished my Chapter 5 edit and then I printed the next chapter so I could put the red pen to it. But it was pretty close to bedtime so I didn't really have the brain capacity for editing. I did still have some for reading, though. I read the whole chapter--no editing, just reading. I thought of a few ways to fix it, of course (mostly the fact that it's way too short and rushed) but I didn't write anything down.

The next time I booted up my laptop, I kept reading. I went onto the next chapter. And then the next. I had started reading at Chapter 6 and now I'm on 11. If I hadn't worked all weekend I'd probably be further. I know I should be editing, of course, but it's nice just to enjoy the story, too. It's fun to read lines I forgot about, find parts that make me laugh. I know which parts need a lot of work, and which parts just need some minor edits. And I know once I get past Chapter 17 I'm definitely not going to enjoy it as much. (Because the last third sucks!) But at least I'm enjoying it now.

So should I be trying to edit more? Probably. But at least I know, for now, that I do like my story.

Playing Catch Up

Hello blogging world! Is everyone still out there? Ok, ok, I did post something last Monday (or someone did, at least), but I've been a bit out of it since then. After working all day then running a million errands, I started to feel very sick. I had a fever off and on from Monday night until about midday on Wednesday. Luckily I had Tuesday off work but I ended up having to call in sick on Wednesday, which is my first time for this job (been there almost a year and a half). Anyway, I didn't do anything for days besides sleep and watch TV and cough my lungs out. I didn't even look at my computer until Saturday.

So I've been playing a bit of catch up. I had to finish up the final anthology story edits because I was procrastinating on that forever before I even got sick (even though I literally had 6 things to fix). I still haven't gotten anywhere with other anthology stuff (writing interview questions, writing posts for the joint blog). I'm trying to form some kind of schedule for myself where I work a little bit on it (and other writing stuff) every day.

Speaking of other writing stuff, I've written about 13,000 words of Shiny New Story so far. Named all the characters but no title so far (no surprise there). I didn't do any writing while I was sick so I lost a bit of the drive I had, but I have gotten a little done over the weekend so I'm hoping it will come back.

Before I got sick, my writing drive did shift gears a little and I was suddenly working on Book 3 for some reason (listening to too much Adele). Don't ask. I spent a day or two on that and wrote about 5 pages. Some of the stuff I really like but I can't tell anybody about it because it's extra spoilerific.

As for editing UL, uhhh.....not so much there. I did glance at Chapter 5 but knowing I have to rewrite the second half of it I just said to myself, "I don't want to. Someone else do it."

I'm hoping I get that crazy writing/editing drive back that I had a couple weeks ago. I was somehow able to work on everything old and new and got a lot done. I would love to be able to do that all the time.

But anyway, enough rambling. If you didn't see it before, the other IWSG anthology authors and I have set up a blog tour during the month of May to coincide with the release. If you'd like to sign up, fill out the form below and we'll get in contact with you soon (something else I still have to do...)!

Jordan Takes Over: A Crash Course in Musing

**The first Monday of every month, I let my muse take over the blog. I apologize in advance.**

Ok, people, we're gonna do things a little differently today, so everybody be quiet and pay attention! Because my life apparently isn't crazy enough, I'm here to offer tips to the beginner or wannabe muse. Or for you writers out there, a more in depth look of what exactly is going on with your most favorite (just try and call us) imaginary friends. So! Where are my pupils??

*Adam waves frantically*

Just one??? Oh, by the way, I'm training Adam as my backup for when Sarah's being annoying and I want a nap. She's not going to like it, but, uh, tough something or other.

Adam: We've got a student/teacher thing going on here.

Been there, done that. Ok, one student. *sigh* Fine. First lesson! Let's talk about the ABNs of musing.

Adam: Don't you mean ABCs?

First of all, how about raising a hand when you have a question, Mr. uhhh...do you have a last name yet?

Adam: No.

Of course not. Mr. Perfect Hair. Anyway, no! The ABNs. Always Be Napping. This is crucial. A muse needs his beauty sleep. Or, you know, hers, because I guess most muses are girls but we're working for a psycho over here. Either way, beauty sleep! How can you be providing your best inspiration if you're tired and groggy? I'd say at least 22 hours a day. Are you writing this down?

Adam:....You never said to take notes....

Moving on! The next lesson is about spontaneity. If your writer is getting all their stuff together, finishing her coffee, booting up the laptop, getting the pencils and paper lined up, is that the perfect time to provide inspiration?

Adam: Well, I would think s--

WRONG! Of course not! You can't just give ideas when they're expecting them! Where's the fun in that? Where's the passion? We're not freaking robots over here! It's best to be completely random when providing inspiration. Whenever you feel like it, really, but never when they're expecting it. Now, when are the best times to provide inspiration?

Adam: Oh, wait, I know this! Uh...when she's falling asleep or when she's in the shower.

CORRECT. You've been paying attention!

Adam: ...Why are those the best times, exactly?

That's just the way it is. We don't ask questions about it. Lesson number three: withholding stuff. We can't just give it all away. That would make us sluts, now wouldn't it?

Adam: Uh..........

I mean with muse stuff! Get your mind out of the gutter. Save that for after class. Anyway, you always want to make your writer work for their inspiration and information. It shouldn't always be easy. Got a piece of information that she needs? Don't tell her! Make her think about it for months, maybe even years before you finally give it up. Like our band's name, for example.

Adam: Oh, you mean--

Shhhhhhhhh! Spoilers! We're not there yet!

Finally, lesson number four: something a bit unexpected. The complete and total onslaught of inspiration. This can be fun but also very exhausting. (Just remember lesson one!) When you're feeling up to providing a decent amount of inspiration, just go for the extreme. Hit them with everything you've got. Don't let them sleep or eat or do anything except write. Make it physically painful for them not to be writing. Every single thought and every single second should be about the story. Basically it's a giant torture session but with a really good payoff.

Thus concludes our first class. What have we learned?

Adam: Uh...I think being a muse is basically just being a jerk.

Yeah, pretty much. Until next class! If there is a next class. If I remember. If I'm awake.

JP

Secure but Overwhelmed

It's the first Wednesday of the month, which means it's the posting day for the Insecure Writer's Support Group! Click here to learn more and sign up!

This came up on me way too fast. February always seems to end so abruptly that I forget it's even happening. I almost forgot to pay a credit card bill, mail my rent, and yes, write this blog post. Usually you get a few extra days each month but February likes to trick me.

So what the heck do I write about? I'm actually not feeling all that insecure. Overwhelmed at times, maybe, but not insecure. Well, there's always the optional question! This month's is: Have you ever pulled out a really old story and reworked it? Did it work out?

No.

CRAP.

Ok, I guess I'll talk about the overwhelming stuff.

I have about a gazillion things to do for the anthology. I have to do my final edits. I haven't written anything for the joint blog yet, and I have interview questions for pretty much everyone to write. Plus we're trying to set up a blog tour and do more marketing stuff.

SPEAKING OF WHICH. We have a sign up form for the blog tour! I literally finished it while writing this post!!! Because I wanted to include it! Look at the exclamation points!!!!!!!!!!!!!!

Anyway, click HERE to sign up! The tour is going to run from May 2 through May 31. There are a few different options for posts. If you sign up for a review, we'll hook you up with the publisher to get a review ebook copy.

It can be really hard to balance real life and all of the stuff I need and want to do. I'm halfway through my edit of Chapter 5 for Uneven Lines. The end of the chapter needs a bit of work (which is a little frustrating since the first half was pretty much perfect). So I've kind of been avoiding it since I want a large chunk of time to sit down and figure it out. Usually I have too much to do or I'm just too tired after work.

So I've been working on Shiny New Story quite a bit. I guess I'll take any progress with writing as a win. I really really like it, even though it's super complicated (yeah, because UL is simple *pfft*). I love my characters and I want to hug them. But I swear to God, I cannot write a story without a secret romance to save my life. Can't do it! I've never had nor wanted a secret romance why do I keep doing this???

Well, that's about it. I set my alarm for 5 AM every morning but I always wake up at 4:37. EVERY DAY. I don't know what that is either.

Ever feel overwhelmed? What time do you wake up in the morning? 

Balancing Multiple POVs (with Flashbacks!)

Things are complicated here in Shiny New Story Land. The good news is that I think I've actually figured a couple things out. It has to do with the order of the chapters. Since I'm dealing with two first-person POV characters, as well as action happening in the present and the past, it seemed a little daunting before I even started planning it.

A big factor about this story is that there's a secret that I want to keep from the reader until about halfway through the book. The thing that bothered me is that it seemed strange for both characters to actively be keeping the secret from the reader. Character A has more people in his life and needs to try harder to keep the secret, so I thought he would be more likely to have his walls up, even to the reader. I think if Character B was by himself, which he often is, he would have no reason to hide it from the reader. Plus, when the secret gets revealed, I thought it would be odd for both of them to suddenly be open about it when they weren't before. They're not the same person so having them act the same way will not help the book.

That's when I realized I didn't actually need Character B's point of view in the present. Not yet, anyway. There's really nothing that happens to him that's very interesting. It's his flashbacks that matter, at least until later on in the story when the more suspenseful moments begin. So I figured out a plan.

Here is what I think I'm going to do. For the first half of the book, it will go:

• Character A Present
• Character A Flashback
• Character B Flashback

And will continue in that order. Character B will only get flashback scenes for the first half of the book. Then when we get about halfway through, the BIG GIANT SECRET REVEAL happens. It will go something like this:

• Character A Present--secret is heavily implied but not actually stated (if the reader doesn't get it then I haven't done my job, or they have serious problems paying attention)
• Character A Flashback--origin of secret is stated and discussed 
• Character B--Present--secret is confirmed again from his point of view 

This is where things switch up. Character B will get his first present POV chapter to basically confirm the secret. From here on out, the chapters will go like this:

• Character B Present
• Character B Flashback
• Character A Present

Basically I'm trading Character A's flashbacks for Character B's present. Ok, that may be a little confusing. Character A's flashbacks were pretty much just leading up to the secret reveal. After that, there really isn't anything to tell from his past. Character B, however, still needs flashbacks because his past story will keep going up until pretty much the very end. But now I need his POV in the present when things start to change. And now he can be open about the secret because it's not a secret anymore (to the reader, at least). 

I still can't decide how I'm going to differentiate between the past and the present chapters. I'm sure the pattern will help a little, but since I'm going to switch it up halfway through, I know I need some more indicators. For the character POVs, I'll most likely just put their name as the chapter name. But for the past vs. present, I'm not so sure. I could write the present chapters in present tense, and past in past tense. But I really just think I suck at present tense so I'm not so sure. 

There are a few other options, I guess. I could put the characters' ages at the beginning of the chapters. A is 18 in the present and B is 23. A's first flashback starts at 16, but B's start when he was 14. Since B's flashbacks cover a long amount of time, I know I have to show when they're happening. Or I could add something like, "9 years ago," "7 years ago." I'm not quite sure yet. I'd like to read some books that have a good amount of flashbacks and see what those authors have done. It won't really affect how I write the different story lines, just how they're formatted, so I can keep writing as I'm figuring it out. 

The good news is that I *think* I've come up with names for my characters. I'm not 100% certain but I'll start writing with them and see if they stick. These characters have been particularly difficult when it comes to giving me their names, and considering the fact that the most difficult character ever gave me his name right away, it's been frustrating. Characters can be jerks. 

Ok, this was probably super confusing since I'm the only one who actually knows what's happening in the book! But what can I do? The characters aren't the only ones who have to keep secrets! ;)

Don't Avoid the Edits

Do you ever avoid doing something forever because you dread how difficult it's going to be? And then when you finally buckle down and do it, it turns out to be the easiest thing ever? Welcome to my life.

So I literally have on foot in Shiny New Story Land and the other in Editing My Novel City. It's confusing. I shouldn't be doing it. But since both stories are occupying my mind, I figure, what the hell? Go for it. Since most of the time I'm not doing much of anything, I want to take advantage of the sudden surge in creativity.

Last Thursday, I managed to edit Chapter Four of Uneven Lines. I've been avoiding it for quite some time. I can't actually remember when I got through Chapter Three. There was an actual legitimate reason for my avoidance though: MATH. No, really, look. Chapter Four has an actual diagram of angles for a math problem:

Ok, the novel doesn't have Instagram filters (I'm sure that'll be a thing someday, though). But yes, actual math. Here's the thing. I don't like math. I was relatively good at it in high school but I never liked it. And I didn't have to take any math courses in college. So anything that isn't basic everyday knowledge flew out of my brain a long time ago. But I made the fantastic decision to have math be a factor in my novel. Genius, right?? *cough*

So, I thought this chapter was going to be a nightmare to edit. To sum up the chapter, my characters are solving a geometric proof and flirting at the same time (did I mention my book is crazy? I love it). I've always been afraid that it would make no sense to anyone who doesn't have a whole lot of math knowledge (someone like, I dunno, myself). While I adore this chapter and think it does so much for the story, I worry it may not make complete sense to everyone. And that's why I've been avoiding it: I didn't know how to fix it.

Well, when I finally sat down and put red pen to paper, it turns out there really wasn't much to fix. If you look at the same exact scene in the first draft, it is a hot mess. It's just there; it isn't doing anything symbolic or intricate or even moving the story forward, really. When I rewrote it for the second draft, I cracked down on it like a crazy person. I somehow figured out what the scene needed to be doing and made it happen. But somewhere along the way I forgot. Silly me.

I kinda had to trust all the math stuff knowing that when I first wrote it I actually did the work and the research to make sure that actual problem is correct. There are words like "congruent" and "transversal" thrown around in this scene and after being away from it for a while, I'm just like, yeah, sure, ok. Math. Does the reader have to be a math expert to get this scene? I don't think so. I think it's doing way more than just showing you a math problem and that's just what's on the surface to make the scene happen in the first place.

And when I went through every page? Not a whole lot to edit. Some line by line fixes. One page had so many instances of the word "So" that it made my head spin a little. I get why they were there; there is a lot of dialogue that starts like, "So now we..." or "So how do we..." Yada yada. But I neatened it up a bit so that they're only there when necessary. My biggest change of the chapter was actually the very last line. Something about it always bothered me and when I figured out the solution I went a little crazy with joy. It was kind of like it had been staring me in the face the whole time but I couldn't see it.

So maybe from now on I won't avoid editing just because I think it's going to be hard. Because chances are it won't be as bad as I fear. Until I get to the last third of the book which needs to be completely rewritten, of course, but I'll worry about that when I get to it...