02 September 2015

Writing Stuff

It's the first Wednesday of the month, which means it's the posting day for the Insecure Writer's Support Group. Click the link to learn more and sign up!


Something I tend to be insecure about is my identity as a writer. A lot of writers stick to one genre, others can write pretty much anything. I feel like I'm somewhere in between. I have written different genres, but it seems like I stick to the same one for years at a time and then move on to something else. If someone asked me what I write, I wouldn't really know what to say.

I have, however, always liked my Twitter bio (which I've never changed): "I write stuff. There's an imaginary teenage boy in my brain who helps me. Otherwise, I'm pretty normal." Short, sweet, and to the point. Well, it's Twitter, so it has to be short. But sometimes I read it and feel like a complete fraud. There's the "I'm pretty normal" part, which is a stretch, but we won't get into that. And I think I hear someone saying "who the f*** are you calling imaginary???" to which I would say, "BE QUIET YOUR POST IS NEXT WEEK."

But really it's the "I write stuff" part. How true is that? Am I actually writing stuff? Well, yes and no. I haven't written a poem in probably three years. I haven't really worked on my novel (except for a few tidbits here and there) for one year. All I ever really write are blog posts. So can I still call myself a writer? Well, I still want to write, and I still get ideas, so the passion is somewhere in there even if it's so far buried I don't know where to find it.

On the other hand, it's pretty vague, which works for me. Not "I'm an aspiring novelist and poet." Not "I'm working on my WIP and hope to be published soon." Just, "I write stuff." It's entirely true. Sometimes it's just a blog post or a tweet or an email. Sometimes it's a random line of dialogue from Book 3. Sometimes it's an editing note for Book 1. It's not always a lot, but it's usually something.

So maybe I can't say a lot about being a writer. But I can say that I write stuff.

31 August 2015

Out of Coffee, Out of Ideas

Our supply of K-cups is getting dangerously low and since it's the dreaded "every bill is due" week, I have zero money to spare. Yeah, I have a credit card, but I'd like to stop using it for a while until I can pay a good chunk of the balance off. So there's a good chance I will actually run out of coffee within the next few days.

Sometimes you run out of things. Toothpaste, cat food, time, money, patience. You probably run out of at least one thing every day. What I always seem to be running out of is ideas. Novel ideas, poem ideas, blog post ideas. That happens just about every single time I have to write a blog post. I have no clue. I can only write about the fact that I'm not writing so many times without annoying people or repeating myself. I've even talked about running out of ideas before, and here I am again. But what do you write about when there's nothing to write about?

The first thing I figured I had to do was to go a little easier on myself. If I don't feel like blogging three times a week, no one is going to care. It's ok to take off a Friday now and then. Not every blog post has to be this great revelation or writing tip that's going to make a huge impact on everyone, either. It's ok to ramble, too. You can tell people about your vacation or your pets or just anything that's going on in your life.

I actually started to have a good idea today, but I figured it would be better suited for Wednesday's IWSG post, so I'm saving it. I like to hoard my good ideas for the right days. Like if I actually do happen to come up with a great writing tip post idea, that's a good post for a Monday. Something silly or more personal may be better for a Friday. There's a lot of timing and planning involved, even if it's on a day by day basis.

But more often than not, I'm coming up with my post ideas the day I'm supposed to post them. It's hard to keep up. This happens with a lot of things, actually. I'm usually too busy doing one thing to even think about another. So maybe I run out of time more often than I run out of ideas. Or I just don't have the time to come up with ideas. Who knows?

I guess I'll just tackle one goal at a time, one day at a time. And enjoy the coffee while I have it.

26 August 2015

Cutting and Consolidating

A lot of the editing process involves figuring out what parts of your story are actually necessary. When you're writing the first draft, it's great to just let the ideas flow and not hold yourself back from getting them out. Once you're at the editing stage, however, that's when you really need to start analyzing the story and realizing which parts need to go. This could be as small as cutting individual words or as big as whole scenes and chapters.

Every cut won't seem obvious right away. The line by line edits may be easier to deal with first. You'll know if a particular word or phrase feels awkward or just doesn't work. You may need to rewrite a sentence, or you may realize you don't need that sentence at all. Figuring out the best way to get the story across without using a lot of unnecessary or unfitting words will help to polish the overall story and make it better.

Cutting scenes and chapters won't be as easy. You may spend a lot of time trying to rewrite a scene that isn't working to finally realize you don't actually need it. The scene doesn't even need to be bad for it to be cut sometimes, either. You may have written a great scene, but as you develop your story more and more, you may realize it just doesn't fit anymore. Deciding to cut a large chunk of story can be an emotional process. You may try to rationalize keeping it, but if it isn't going to work, eventually you'll come to realize it.

Of course, cutting isn't always the only answer. Maybe you have a scene that has some necessary moments or information, but the important parts aren't quite long enough to pull off a whole scene. You may be able to move whatever information is necessary to a different scene or chapter. If you're trying to fill in a whole scene or chapter and most of it is unnecessary, it will probably slow down the story or even make it seem boring. You always want something important to be happening in order to keep the reader interested.

The realization to cut a whole chapter actually took me by surprise. Now that I'm working on the third draft of my novel, I've come to realize that my sixth chapter actually isn't necessary and slows the story down. There is definitely some important information in there, but I know I can move it to the previous chapter and still have everything go smoothly. So making this cut will help speed things up within the story, as well as getting rid of a lot of unnecessary words. Now that I know I have to squeeze in the important stuff into a shorter scene, rather than an entire chapter, I'll really have to think about what words are necessary to get the point across.

Have you ever cut a whole chapter? Or consolidated two parts into one? 

24 August 2015

I Can't Write Anymore

Sometimes I think that to myself. Ok, all the time. I can't write anymore. It's not that I don't want to--I really, really do. It's that I can't. I can't come up with ideas. I can't put words onto the page. Can't can't can't. 

Ok, if I really dissect that, I'll find it isn't true at all. I still come up with ideas. 90% of them may involve the same characters, but they are new ideas, at least. I've come up with a bunch of ideas for editing my book. I still somehow manage to write a blog post three times a week (mostly), although that can often be a struggle. I even wrote three paragraphs on Friday night. They were from a scene in Book 3 and I may not even use them, but at least it's something. 

But there's still that mental block that tells me I can't do it anymore. I remember in high school sitting at my desk with a notebook using every second of down time to get words onto the page. Why is that so hard now? I used to write poetry all the time, but I haven't in years. The ideas just don't come to me anymore. 

I know I have several different reasons for not being able to write. I know what they are, but I still can't bring myself to just push through them and do it. Maybe the answer is to just stop giving a crap about what other people think, or how horrible the words come out. I can always rewrite. And I can certainly just write something for me. Just keep working on it until I like it and then maybe try to send it out into the world and see if someone else does. 

As I'm writing this, I'm realizing that maybe that is my big hangup. I never write for me anymore. I try way too hard to get things perfect. I want the words to already be perfect in my mind before I even try to write them, so most of the time I just end up staring at the blank screen. I think I just need to not give a crap anymore. Write what I want and then see how it goes.

21 August 2015

Excuses, Excuses

So I didn't write a blog post on Wednesday, or even look at a single post from anyone else. And I didn't feel bad about it one little bit. On Tuesday I woke up with a sore throat that was turning into a full blown cold by the next day. I mean, who gets sick in August?? Me, apparently. So I just didn't feel like blogging. It happens from time to time.

It's a hard thing to keep up with, especially when I try to blog three times a week. It's hard to come up with ideas sometimes, so when you pile on not feeling well onto the mental block, you just don't even feel like turning on your computer. But it's ok, right? People take week or even month long blog breaks and nobody really cares. I just always feel like I should tell people when I'm not blogging, but I've already written so many "I don't feel like blogging" posts that another one just seems silly.

But getting sick has really thrown me off with everything. I tried restarting my diet on Monday but now that's out the window. Mostly because my cold has limited me to four food groups: oatmeal, scrambled eggs, Powerade, and coffee Coolatas. I just want to lay in bed and watch TV and not do anything else--like say, exercising.

This has gotten me thinking about excuses. We make them all of the time. We put things off. It usually takes me awhile to make the bed every day just because I don't want to disturb my cat. There are a million things I seem to be putting off at any given time--going to the doctor or dentist, getting my hair cut, *cough cough* finishing the third draft of my novel *cough.* I can't even begin to tell you all of the excuses I've had for putting off my diet or not going to the gym.

I've got a million excuses for not writing, all of them piled on top of each other. I think it really boils down to just not feeling like it. Of course, that feeling is caused by a million other excuses. So at what point do I stop making excuses and just start writing already? I don't know! I feel like I always have all the answers, but actually working through things and getting something done is easier said than done. But maybe if I stopped making excuses, it will be a little bit easier. Who knows?

What do you make excuses for? Writing????

17 August 2015

You Can't Please Everyone

One of the things you have to keep in mind not only with writing, but with any kind of entertainment, is that there is no possible way to please everyone. Every person can't possibly like everything--every book, song, movie, TV show, and so on. We all have different opinions. Everyone has a favorite color or a favorite food, right? You may not be able to understand how someone could love something that you hate (like how I will never understand why some people like Fifty Shades of Grey...), or vice versa. The bottom line is that while there will usually be an audience for everything, that audience isn't made up of everyone.

Say you went to a movie with your friend and you loved it, but she hated it. You both saw the same movie, right? But the way it impacted each of you was completely different. Or if you go to a comedy show, and everyone in the room laughs at a particular joke except for you. Does that mean the joke isn't funny? Well, that depends on how you look at it. To you, it isn't, but to several other people, it is. It's not something that can be clearly defined.

We always say that people are entitled to their opinions. Everyone has specific things that they like. You may like a certain genre of books or movies, and that's what you stick to. Or you may like a little bit of everything. What we like can be something broad like genre, or it can be on a smaller scale, like a particular writing style or point of view.

I think the thing that stings with getting a bad review is that you wish this person never read your piece in the first place. We always wish that our books would only find that target audience, but it doesn't always happen. Ideally, you would want every person who reads your work to love it, but even if they like your genre or other aspects that make up your book, sometimes it still just doesn't work out. It doesn't mean that your book is bad--it just wasn't right for that person.

I don't think I would look at bad reviews if/when I got them. For one, I just know I don't have the thick skin for it. But also, there really isn't a point. You can't exactly change a book once it's published just to please more people. You wrote what you wrote. Hopefully your book will find those people who will enjoy it.

How do you feel about reviews? Do you read the bad ones?

12 August 2015

When to Reveal Character Traits

If you want your characters to feel like real people, then they should have different traits to make them seem realistic. What sort of traits you give each character will depend on the story you're writing and the characters themselves. What exactly is important for the reader to know about this character? It could have to do with physical appearance, hobbies, beliefs, or pretty much anything you could think of being important to convey a character's personality. But when exactly should you let the reader know about these traits?

The answer won't always seem obvious. It can depend on when or if a certain trait is important within the story. If you want your readers to know what your characters look like, it's probably a good idea to convey that as early as possible. Of course, you don't really have to convey this information at all if you don't want to, but if you wait until halfway through a novel to show what your characters look like, it may seem strange. It's probably best to get it out early or not at all.

It's important not to force these sort of traits on the reader all at once. It should just come up naturally within the story. You wouldn't want to dump every single detail about your character like the reader was looking at their dating profile: "he was tall with brown hair, brown eyes, liked going for walks and listening to music and..." Sounds silly, right? Whatever trait you're revealing should feel natural within the scene itself, but it should also be important to the story. If you mention a character's hobby and it never comes up again, maybe you didn't need to mention it at all. If it's something that they do several times during the story, then it's something your reader needs to know.

What I'm actually struggling with right now is revealing my narrator's sexuality. It is definitely relevant to the story by the end of chapter one, but it's not something that's actually discussed between the characters for several chapters. So he has to tell the reader that he's gay before he tells anyone in the story. I originally had it come up in the first scene (in the giant info dump I talked about in Monday's post) but I realized there was already a lot going on in that scene and his sexuality really wasn't important to know at that point. So I'm planning on moving it to the second scene. I think I have it figured out but I won't know for sure until I actually write it (like most of the editing I still haven't done...)

While there are plenty of character traits that your readers will need to know, figuring out where to reveal them can be tricky. You'll need to decide what is actually important and how early on in the story it should be revealed, but also making sure these facts aren't just dumped on the reader out of nowhere.

How do you reveal character traits? Which traits do you think are most important (or least important)?

10 August 2015

First Scene Nonsense

Figuring out the first scene in your book can be tricky. It's the first thing your reader is going to read, so you want to hook them and get them wanting to read the whole story. But the scene should also make sense within the overall story. You have to make sure this particular scene is the right one to open the book. Once you figure all of this out, then you have to make sure you actually write it so that it meets these requirements. But like most things, it isn't always easy.

I've been thinking a lot about the first scene in my book lately. Actually, I've been avoiding it. I know I need to rewrite it so that it makes more sense and hooks the reader more. I've always known when and where it takes place, and pretty much everything that happens in it, but despite that, I still can't get it quite right. So lately I've just had no idea what to even do with it.

I think one of the problems is that there's a lot going on, but not in the scene itself. There's a lot of exposition--the narrator is conveying a ton of information to the reader and I'd say only half of it is actually relevant to the scene. It's important to his character, but it really doesn't need to be said within the scene itself. So I guess I've already figured it out. I should move this information to another scene. I really have no idea how to bring it up now, but that's probably a blog post for another day.

The second problem is that while the first scene is necessary to the story, it does kind of require some catching up on what has happened before the story begins. I've basically always had this idea that these books would start with the main character already in the middle of some scheme, because that's basically what he's always doing (especially in the first book when he's only 15, causing trouble is pretty much his only hobby). So this first scene is actually the end to something he already started, but it sets in motion what is actually the main plot of the book. So while it is necessary, there is some needed explanation. I just worry that it may seem odd to the reader.

The good thing is that I think I'm on the right track to figuring out my first line. I was never really crazy about the way I had it in the second draft, but I had no idea how to change it. A few nights ago I came up with something, and while I don't think it's perfect, I think what the line is saying is where I want it to be. I think it's getting the point across, but I'll probably need to rewrite it a few times to get it exactly the way I want.

So these are the editing issues I've been tackling lately. And that's just one scene!

07 August 2015

Save the Good Idea for Monday...

I had an idea for a blog post today, because I did a whole lot of thinking and a little bit of writing last night. I thought it would be great to talk about that--the things I figured out, things I still need to figure out. But the more I thought about it, I realized...it's really more of a Monday kind of post.

Fridays aren't really heavy traffic days for blogging. A lot of bloggers don't post on Fridays; others will do short posts to sum up their weeks or just tell you what they're doing over the weekend. For me, at least, I get a lot less comments on Fridays than on a Monday or Wednesday. So I thought, do I want to use my good idea on a day where I won't get a lot of feedback? Heck no! So yeah, this post is going to be a bit of a throwaway. But I'm ok with that.

With the writing I did last night I managed to come up with a new first line for UL. I'm not crazy about the line itself, but the concept is where I want it to be. I think I'll need to rewrite it a few times to where it's exactly the line I want. I'm not entirely sure if I want to share the line in Monday's blog post. I would love to get people's reactions to it, to see if maybe it's already good enough and I'm just overthinking it. But I certainly don't want people to feel obligated to rewrite it for me. Actually, I would hate that. I want to write my own first line. So maybe I won't share it, but talk about what's going on with it.

Other than the first line/first scene/first chapter nonsense, the only other thing going on is that it's my birthday on Sunday! Remind me to change the age in my bio on Monday to 28. Honestly, I kinda hate birthday time. I'm not really a center of attention kind of person. I don't need gifts but asking for money feels weird. And I really really really hate all the Facebook messages from people I haven't talked to in years. But anyway, my fiance and I are going out for dinner tonight and my dad's making his world famous cheeseburgers for me on Sunday. There goes my diet!

Well, that's about it. What is everyone else doing this weekend?

05 August 2015

When Does Bitterness Leave?

It's the first Wednesday of the month, which means it's the posting day for the Insecure Writer's Support Group! Click the link to learn more and sign up!


I noticed something trending on Twitter the other day that made my stomach turn: Pitch Wars. "UGH" was my immediate response. 

Honestly, writing-wise, doing Pitch Wars was the biggest mistake I ever made. There's a part of me that wants to rant and scream and tell everyone I possibly can not to do it. But I think the odds of someone else having my exact experience are actually very slim: first, having a controversial story, then having an a-hole mentor send unnecessarily cruel feedback on just your first chapter, and also being the kind of person who is prone to depression and anxiety and will let this sort of thing eat away at you. On the other hand, seeing as how there's roughly a 10% chance of getting picked if you enter, I also feel like it's just a giant waste of time. So in the best case scenario, you're still going to be disappointed. 

I wish I didn't let things get to me so much. It's not the first time I've been bullied. It definitely won't be the last time my writing will be critiqued (although I feel if my book was already published I would handle it in a completely different way). But at what point do you stop grinding your teeth when you hear something mentioned? When does that bitterness go away? When I think of something that happened in the past that still leaves me feeling bitter, the thought usually passes fairly quickly. You get over it eventually. Maybe just because Pitch Wars wasn't so long ago, it's still bugging me.

Or maybe it's just because it's kept me from writing. I hate the fact that it's almost been a year since I've really written anything. I've come up with a ton of ideas on how to edit my book, but I haven't actually done any of them. I hate when people tell me it's ok to take a break, because it's just been way too long. But every time I think about working on my book, I just wonder--what's the point? If everyone's going to hate this story and hate me for writing it, why should I bother? But I can't let it go because I've put so much effort into it and I think there's something there that people just aren't able to see yet.

So I guess I just need to try to make people see it. Nothing is ever going to happen if I don't start writing again. That's probably what I need to do to get over the experience. Nothing would be a bigger "f you" than being successful. If I don't write, then they win.

03 August 2015

Jordan Takes Over: The Voices in Your Head

**The first Monday of every month, I let my muse take over the blog. I apologize in advance.**

First of all, let me just set a few things straight here. If Sarah is telling you I have a boyfriend, IT'S A LIE. Because A) that's not my thing (I mean commitment, not guys...keep up with me, people!), and B) technically I'm only 19 and I don't get together with this guy until we're 22. So there. Plus, hello spoilers! Oh, who am I kidding? By the time Book 3 gets published (assuming it does) you'll forget all about this. In that case, let me tell you...

OH I'M KIDDING. Relax. But anyway, this leads me to today's topic: having multiple characters telling you what to do. It can be extremely difficult when you're being pulled in too many directions by several different ideas or characters. Who do you listen to (uh, me, hello?)? Which idea is more important? Is it just the voice that seems the loudest?

I guess it depends on how many voices and where they're coming from. If you've got several different book ideas going on in your head at once and a strong urge to work on all of them, it can lead to trouble. You'll probably get things mixed up--characters showing up in the wrong book, things like magic or aliens popping into your contemporary romance. Just imagine the chaos if you took all of your book ideas and combined them into one. Scary, right?

So the easiest thing to do is work on one book at a time. I know, I know, easier said than done. I'm not saying you can't jump back and forth. But give one book a good amount of time and attention before you switch gears. Maybe wait for the inspiration to run out and then switch to get it going again.

But you've also got the issue of different characters within the same book or series pulling you in different directions. Maybe you've got minor characters wanting to be more important. Or maybe ideas from every book in your series are hitting you at once. If the characters are the same, it probably won't be as confusing to work on more than one. But if you're throwing your attention everywhere at once, is every piece you're writing going to come out perfect?

Ok, so maybe the easiest thing to say is that listening to the loudest voice is probably the right way to go. Whatever idea, character, scene, book, whatever, is occupying your thoughts the most is the one that you should be working on. Then if you finish that idea, that voice in your head may actually shut up and you can move on to the next one. If you're lucky.

So maybe I'm not always the loudest voice. It probably just means I'm sleeping.

JP

31 July 2015

Not Feeling It Today

I think I've used that blog title before...

Yeah, so that flash fiction I talked about posting didn't happen. See what happens when I promise things? I'm just not gonna say anything about it until it's actually done. But I will post it on a Friday. Because that's what people do, right?

The thing is, I don't really feel like blogging about anything else. I kinda don't feel like doing anything at all. I'm having a bit of a life crisis, worrying about money, having trouble sleeping. I'm gonna have to get a real job soon because my savings is running out and I can't make enough with my freelance stuff to pay all the bills. I really wanted to wait until we moved to get a job but I just don't think there's enough time. We still haven't figured out when we're moving, either. So I'm screwed, basically. I was supposed to get so much more done in the time since I quit my job and I just haven't.

Maybe I should have saved this rant for IWSG! Oh well. I'm off to try to earn some money...

29 July 2015

Gabriel Release & Review!

Earlier this week, the final book in Patricia Josephine's Path of Angels series, Gabriel, was released! I really enjoyed this series, so you should definitely check it out. Take it away, Patricia!

What’s in a name?

Gabriel
Angelic Messenger
Gabriel, an archangel and one of the two highest ranking angels in Judeo-Christian and Islamic lore. Her name means "strength of God". She is a unique archangel in the sense that it is almost certain she is the only female angel in the higher echelons, although some believe there are no female angels. Gabriel fosters joy, truth, justice and love. She grants wisdom in interpreting our dreams and visions.

Well, in Path of Angels Gabe is a guy and would probably be grumpy to read this. He is all about justice though. Love, he wants it for sure, but isn't very open about it. He's really a big grouch.

*   *   *

The end is in sight.

To stop Uriel from freeing Lucifer, Gabriel and his brothers must fall and go to Hell. It is a sacrifice Gabriel is not entirely ready to make. Will he fight alongside his brothers or forge his own path? There is only one choice.

Alexander doesn’t want to help Uriel nor does he trust him, but the angel has promised him a better life. He swore to protect Charlie, and he’ll do whatever it takes. When he meets the archangels and learns the depth of Uriel’s lies, he understands the true meaning of sacrifice. If there’s any hope of stopping Lucifer from being freed, Alexander, Charlie, Zephyr and Lake will have to get to Hell and help Gabriel and his brothers in the fight against Uriel.

The path is finally ending, but the price may be too high.

Check it out on Amazon and Goodreads!

About the Author:

Patricia Josephine never set out to become a writer. In fact, she never considered it an option during
high school and college. She was all about art. On a whim, she wrote down a story bouncing in her head. That was the start of it and she hasn't regretted a moment. She writes young adult under the name Patricia Lynne.

Patricia lives with her husband in Michigan, hopes one day to have what will resemble a small petting zoo, has a fondness for dying her hair the colors of the rainbow, and an obsession with Doctor Who.

Twitter | Website Google+ | Wattpad | Goodreads

Path of Angels

Sarah's Review:

The final book in the Path of Angels series focuses on the last archangel, Gabriel, while also wrapping up the overall plot line that has run through all of the books. Gabriel and his brothers must fall and go to hell in order to stop Uriel from freeing Lucifer. Gabriel’s struggle was really interesting to see: his anger seems to be the thing that sets him apart from his brothers. He doesn’t want to fall and really doesn’t even want to follow the path at all. He just wants his normal life back, but eventually comes to realize that this is impossible. That’s when Alexander and Charlie come in. They have a very sweet relationship—Alexander doesn’t really want to follow Uriel but it’s the only way he can protect Charlie. When they meet Gabriel, they are both drawn to him and the three of them see that they were meant to find one another. The polyamorous relationship was an interesting twist that I enjoyed. I wish they were able to have more time together, but with Gabriel fallen, he and his brothers must continue on their path. The angels’ loved ones play a much larger role than anyone expected, and they must also travel to hell to help stop Uriel. I won’t give away the ending, but I will say it did make me a little sad—but I also understand why it had to be that way. Overall, a great ending to the series!

(I'm not sure if I can call my reviews "mini" anymore...they always come out longer than I intend. Maybe next time I'll learn to use paragraph breaks...)

27 July 2015

All Screwed Up

I'm totally off my game today. I know, I know, when exactly am I on my game? But it's past noon and I still don't have this blog post done. I was up late last night so slept in too much this morning. My fiance is off work today so that's throwing me off. It feels like a weekend. We just got back from the gym, so my usual 8:45 shower was an 11:45 shower. I haven't had any coffee or food so I'm starting to lose my sanity, I think.

I also wanted to do a lot of writing this weekend but that definitely did not happen. What I did was watch a whole lot of Harry Potter. I really wanted to get some work done on the first chapter for UL, because now I'm thinking it might be easier to edit in order? Or at least try. Really, I should just work on whatever part is inspiring me the most and to stop avoiding it altogether. Getting anything done at this point would be great. Rewriting a random sentence in any chapter would at least be progress. But no. Still avoiding looking at it.

I kinda sorta have a plan for the rest of the week. I've got a book review to post on Wednesday (that's assuming I get it done...but I did finish the book, at least!). And then maybe on Friday I'll post a piece of flash fiction. Well, it may be too long to be called flash fiction (I'm new at this...) but short enough for a blog post, at least. Adam has been chewing on my brains lately so I've been working on a little something from his point of view (CURSE HIM). He's probably got Jordan tied up somewhere...who is probably enjoying it. Of course, telling you that I'll post something has probably squashed all possibility that I will actually get it done in time. We'll see.

All right, I'm gonna go take a deep breath and have some coffee. In the meantime, here's a picture of my cat being ridiculous:

24 July 2015

Cherished Blogfest

Today I'm taking part in the Cherished Blogfest, hosted by Dan Antion, Paul Ruddock, Peter Nena, Sharukh Bamboat, Tom Benson, and Damyanti Ghosh. The idea is to talk about one of our cherished objects. Tell us what it is, post a picture of it if you like, and tell us why you cherish it.


The object I want to talk about popped into my head right away, well probably because it's always on my finger--my engagement ring. While you may think the reason for cherishing this object would be pretty obvious, it's actually a bit more complex.


This ring actually belonged to my grandmother, but I never met her. She passed away when my mom was 10 years old. My grandfather eventually remarried and we always considered my step-grandmother to be our grandmother because she was the only one we knew. I remember when I was little my grandparents gave the ring to my mother, and she wore it every day because it belonged to her mother and was special to her.

When my mom passed away two years ago, my sister held onto the ring along with her other belongings. My boyfriend and I had been together for almost six years and we had talked about getting engaged, but he didn't have the money for a ring. It was actually my brother-in-law's idea to give him my grandmother's ring. My boyfriend proposed to me on Christmas Eve of that year.

So there are a lot of reasons why my engagement ring is special to me. It's a piece of family history--something that existed before I was born and that I can pass down to my children if I have them (or my niece if I don't). It was something that belonged to my mother and I can remember her by. And of course, it's a constant reminder that I have the love and support of a wonderful man who will someday be my husband.

(This was the most recent picture of us that I could stand. You know how I hate pictures of myself...)

22 July 2015

Editing Lists

I make lists all of the time. Pretty much every day I have a to-do list for the things that I want or need to get done over the course of the day. I don't know if you're like me, but if you just say to yourself, "oh, I'll get to that later," then that task probably doesn't get done. Writing down what needs to be done is a great way to not only remember these tasks, but to add a bit of motivation.

I try to use a similar method when it comes to writing, especially when it comes to editing. When you need to make changes to a story, it can be helpful to know exactly what needs to be done. You may not know how to fix everything right away, but just knowing what needs to be fixed is usually the first step.

It can be extremely helpful to write down any idea that comes across your mind. If you want to rewrite a scene, add something in, cut a particular section. It's a lot of information to try to keep inside your head. Chances are you'll forget some of it, and if you have a lot of good ideas, losing them could be devastating. Writing every idea down will help you make sure all of those ideas actually happen.

There really is no right or wrong way to make an editing list, as long as you're able to understand it. I couldn't even tell you how many lists I have. I have a separate draft with comments just for making line edits. I have a list of new ideas for the section I have to rewrite. I have separate lists for each chapter with things I want to fix. You can make as many or as few editing lists as you want. You could go by chapter like I have or just have one giant list with every necessary change on it.

I've recently been working on a new list that groups things based on what order I want to work on them. Group A is for the things I've already figured out and think I can get done quickly, Group B is for things that will be slightly harder, and Group C is for all the things I'm absolutely dreading working on. I haven't figured out all of my edits yet so the list isn't quite finished yet. I think that's why Group C is pretty much blank--technically all the things I haven't figured out yet are there. But once the list is done I think it will be a good way to stay motivated. I'll start with the things I'm actually excited about working on and hopefully as time goes on those things I'm dreading will seem easier to tackle.


Having an editing list can also help you keep track of your progress. One of the reasons I like having to-do lists is that sense of accomplishment you get when you finish a task and can cross it off your list. Imagine how great it will feel once every single task is crossed off the editing list. Maybe then I can actually say my book is done? We'll see...

Do you make editing lists? What's your strategy?

20 July 2015

Searching for Ideas

I'm constantly struggling to find new ideas. New stories, new poems, new blog posts. Actually this post only exists because all I could think about this morning was how I didn't have an idea for a blog post. It happens a lot. It's a blogging day and I've got no clue what to write about. Sometimes there will be some new development in my writing that I can talk about, or sometimes I'll just ramble about nothing in particular. But it's always a constant struggle to come up with ideas.

I'm always in awe of those authors who seem to bust out a new book every month or so. I have no idea how they do it. It's not just because I have a tendency to take forever to write something. It's about ideas. I could never come up with that many ideas that fast. I'm sure when a writer needs a break from their WIP, they'll often work on another project. The problem for me is that I don't have one. I have a few ideas, sure, but none that seem good enough or that I care enough about to work on. So when I need a break from my main project, there isn't anything to turn to.

I don't know what it is, really. Am I just terrible at coming up with ideas? Or am I so hung up on my main WIP that I subconsciously block out any possibility for new ideas? It certainly doesn't help that I don't want to work on my WIP most of the time. Besides blogging, I couldn't tell you the last time I actually wrote something. How can you call yourself a writer if you're not writing?

Ok, this is turning into a sob story. This was supposed to be about ideas! I know it's possible to find ideas anywhere. For some reason they just don't seem to come to me. The only ideas I seem to get are usually a part of the universe for my main WIP--sequels, side stories for minor characters, or just random cute short stories that I probably won't let anyone read. So they don't really feel like new ideas to me because they involve the same characters.

So where do you find new ideas? Well, since the answer to that could be "anywhere" or "everywhere," I guess my question really should be, what do you do when those ideas aren't coming to you anymore? The more I write this the more I feel like it's just my brain telling me to finish what I'm already working on. Working on that is another issue entirely. But hey, there's an idea for another blog post!

Where do you get your ideas from? Are they constantly coming to you or do you struggle to find them?

17 July 2015

Don't Look at My Book!

Usually the ultimate goal with any piece of writing is to get other people to read it. You've got a story in your head and you want to get it onto paper and share it with everyone else. But it takes a while to get to that point where you think your piece is good enough for someone else to read. You may have to go through several rounds of editing and rewrites before you let anyone else look at it, and even after that there may be more editing to do. But how do you know when it's ready? What if you need fresh eyes but you still have a lot that needs to be fixed?

It can take a while before you feel like your writing is ready for other people to read it. Until then, you probably won't let it see the light of day. You'll hold onto it for dear life, pull the shades down, turn off the lights, and hiss like a cat at anyone who tries to touch it. Ok, figuratively speaking, of course. But when someone offers to read it, you may feel like running in the other direction.

On the other hand, what do you do when you really could use a fresh set of eyes? What if you can't figure things out and just being able to talk to someone else about it could help? But what if you're too scared to let anyone read it?

I feel like I'm in some sort of paradox when it comes to having beta readers. I know I probably should have more, but at the same time, I already know a lot of things I want to fix in my book. I think letting someone else read it as is before I make those changes would be pointless. But it would also be nice to have more people to bounce ideas off of. But I also just really don't want anyone else to read it the way it is right now. See? It's a vicious cycle.

This is how it's gone so far: my fiance read the first draft (AGH NO NOT THE FIRST DRAFT! BURN IT!), which is great from a supportive standpoint but he couldn't really offer any critiques. For the second draft, I had one actual beta reader, and then a bunch of people who showed interest in reading it but then never actually did. Horrible mistake on my part. I thought they were serious about wanting to read it, and I was totally fine with getting no real critiques from these people. I thought I would at least get some sort of reader-based reaction, like "Oh, I loved this part!" or "Why did that have to happen???" But no. I got nothing. No responses at all. I'm not even sure if anyone actually read it. So I'm a little jaded when it comes to letting people read it.

So I have literally had only one person who read the whole thing and gave me feedback (and who I keep bothering with my editing ideas...). That's probably not enough, right? But I have so much I want to change for this third draft that I don't want to bother letting anyone else read the second one. And by the time I do finish the third, I want to be querying it. So I don't know if I should bother trying to find more beta readers. But querying will take a while so would it make sense to also have people beta reading in case there are other things I should change? I DON'T KNOW.

So I really have no idea what I should do. For now I'll probably just keep hoarding my book so no one else can read it...

15 July 2015

Rewriting Chapter One

Out of the ten gazillion editing realizations I've made, deciding to rewrite the first chapter was probably one of the hardest to accept. You'd like to think after a long time with a story that you've been able to get the beginning right, but that isn't always the case. And if the first chapter isn't right, then it can be pretty hard to get people to keep reading.

It's a difficult decision because honestly, I really like the beginning of my book. I can breeze through the first five chapters like it's someone else's book and I'm just dying to know what happens next. Chapter 2 is my absolute favorite and I only have a few minor tweaks in my editing to-do list for that chapter. But I can't start the book with the second chapter. No one would know what the hell was going on. I need the first chapter to get the characters and situation established so the story can actually begin.

It's not all horrible, though. If I broke down the chapter, it really has four parts. The first two parts are the ones that need a massive overhaul, the third one just needs a little tweaking, and the fourth one doesn't really need any changes. So I really only have to rewrite half of the chapter.

On the other hand, there is a lot to change. I've never really been ok with my first line, and I'm sure you all know how important that is. So that has to go. I feel like the first scene may not make sense to some people, so I want to make sure that's clearer. There's also a lot of exposition that I think I could cut down. With the second scene, I'm actually excited about the change because I'm removing an unnecessary character and replacing her with someone whose name actually comes up again in the story. So I think it will make a lot more sense.

I also think I need to make my narrator a bit more sympathetic. Ugh. I kinda don't want to. Yeah, he's not everyone's cup of tea, and I'm ok with that. But I do actually want the people who decide to read this book to keep reading. If they're turned off by the main character right away then that's probably not going to happen. Luckily I do see some space in the third scene to sneak in some sympathy, and some of the cuts I'll be making from the first two scenes should help out with that as well.

So on my giant editing to-do list, rewriting Chapter 1 is right there at the top. I know I probably won't get it all done at once. That first scene rewrite is going to be tough. The rest will be easier since I already know how to fix it. I guess the next step is to stop thinking about it and just actually do it. That's just another thing I'm trying to work on.

13 July 2015

Keeping an Open Editing Mind

Having an epiphany about a piece of writing can be a great thing. You could be struggling to figure something out and then out of nowhere the solution hits you. It could be something you never expected, and it could require a lot of work. But if you keep your mind open and let the ideas come to you, and you put in that hard work, you may just be able to figure it all out.

One of the hardest parts about editing is cutting parts from your previous drafts. When you first write something, it can seem so perfect that you think there's no way you'd ever get rid of it. But as time goes on and you get away from that first draft high, you're able to see things more clearly. If you spend enough time with your story, you'll know what's working and what isn't, what needs to be rewritten and what needs to be cut completely.

I've been with my story for over 4 years now so I pretty much know everything that needs to be fixed. Figuring out how to fix it is another thing entirely. Every solution isn't going to come to you right away. You may need to think about it for hours and hours, going over every possibility until you figure it out. If that doesn't work, you let the idea rest for a while, and if you're lucky the solution will just come to you out of nowhere (for me that means someplace inconvenient like in the shower, or when you're trying to sleep...).

Keeping an open mind is very important when letting the ideas happen. I'm on my third draft now, but I don't think my mind was very open when writing the second draft. I basically just wanted to make the first draft better, but keep everything exactly the same. Sure, I rearranged a few scenes, added some needed background info on a character, but there weren't a lot of major changes, just a lot of rewriting. For some parts, this can work. Maybe just rewriting will fix the problem. But this isn't going to work for an entire draft. Big changes usually need to happen, and if you're not open to them, you'll never be able to come up with those solutions.

I realized yesterday that cutting an entire chapter from the beginning of my book would help out a lot. It was something I'd never considered before. But it was a chapter that I didn't know how to rewrite, and I felt like it slowed the story down a bit. Then I realized any important information from this chapter could be moved to the last scene from the chapter before. It's going to be tricky finding the balance of what information to put where, but once I get it all done and that chapter is gone, I think the story will flow a lot better.

If my mind was still closed off when it comes to editing, I never would have made this realization. If you edit thinking that everything is perfect, or that all of the parts of your story need to be there, you may never be able to actually step back and see what's wrong with it, and what parts aren't even needed.

Do you have trouble keeping an open mind while editing? Ever made any unexpected edits?